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Mission Mangal collects 172.90 cr in 2 weeks

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Image result for Mission Mangal ndtv
Box Office India Trade Network

MISSION MANGAL had an excellent second week as it collected 48 crore nett with a huge two week number of 173 crore nett. The second week numbers are the third best of the year after KABIR SINGH and URI and the film is also the third biggest HIT of the year after those two films. It is the biggest HIT for Akshay Kumar in the last five years or so and will be the most watched concept film in recent history as will cross the footfalls of films like CHAK DE INDIA and TAARE ZAMEEN PAR.

MISSION MANGAL got a boost for Janmashtami in the second weekend which propelled the collections over the weekend as it did not like a 48 crore nett second week was possible considering how it was going on the weekdays. There will be a drop in business today due to the release of SAAHO but it should have enough legs to cross the NETT business of 2.0 (Hindi) though the GROSS business will probably remain lower than that film and the footfalls also.

The second week numbers for the film are the 15th highest ever beating films like KICK and YEH JAWAANI HAI DEEWANI and more recently GOLMAAL AGAIN.

The collections of MISSION MANGAL till date are as follows.
Thursday - 28,50,00,000 apprx
Friday - 17,00,00,000 apprx
Saturday - 23,50,00,000 apprx
Sunday - 27,50,00,000 apprx
Monday - 8,50,00,000 apprx
Tuesday - 7,50,00,000 apprx
Wednesday - 6,50,00,000 apprx
Thursday - 6,00,00,000 apprx
First Week - 1,25,00,00,000 apprx
Friday - 7,50,00,000 apprx
Saturday - 12,75,00,000 apprx
Sunday - 14,75,00,000 apprx
Monday - 3,75,00,000 apprx
Tuesday - 3,40,00,000 apprx
Wednesday - 3,00,00,000 apprx
Thursday - 2,75,00,000 apprx
Second Week - 47,90,00,000 apprx 
TOTAL - 1,72,90,00,000 apprx

City Park at Mumbai's Bandra Kurla Complex is TikTok's Film City

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Mumbai: BKC public park is TikTok's Film City
Meraz Pathan (@MerazPathan2727), 28, makes the daily trip from Kurla to BKC with his team to shoot videos for his 79.5k followers. Sometimes, they shoot within the park. At other times, it's in the parking lot like in this photo. Pics/ Atul Kamble and Nimesh Dave Pics /Nimesh and Atul Kamble

TikTok's young influencers from as far as Aurangabad, vote manicured City Park with chilled-out security and clean toilets as top shoot location
Diwakar Sharma, Suraj Ojha (MID-DAY; September 1, 2019)

There's a series of three-second-long videos on TikTok—the app that refuses to stay out of the news—in which a young man, approaches a woman asking her if she has a map. When she asks why, he says, "because I have got lost in your eyes." The girl, laughs even as a romantic number starts playing in the background. In another video, the man asks for a band-aid, after having fallen on his knees over another woman's beauty.

Manish RajpurohitA prank video, uploaded by @manishthestar34, the videos have garnered over 3,000 views on the short-video sharing platform. The channel, run by 21-year-old Manish Rajpurohit (right) — who also runs Md Neyaz Alam's channel @brbhai and often collaborates with another creator, Annu Singh — has 34,000 followers and 3 lakh likes. And yes, while pranks are a common feature in the videos, in which passersby are roped in to act in videos that feature humour set-ups—a woman who hands her phone to a stranger to make a call witnesses an abduction threat—what else is common is the location: the sprawling City Park at Bandra Kurla Complex.

Owned by the MMRDA, the park is now maintained by Silver Spoon Hospitality, which has leased the park for five years. In E-Block, it boasts of the RBI building as its nearest landmark. With lawns, an amphitheatre and walking paths along with several trees and benches, the park which stays open from 5.30 am to 8 pm, is now not just a place for locals to get their daily exercise and dose of green, but also a prime shooting location for Mumbai's burgeoning TikTok community.

We meet Rajpurohit, a resident of Andheri East who is pursuing MCom from an Andheri East college, while he is shooting his videos. "Crowds play an important role in making prank videos. Here at City Park, there's a heterogeneous crowd with everyone from college students, office-goers to couples, whose presence enthuses us to choose this location over others. Above all, the greenery, gardens, bushes at the City Park help hoaxers as we can hide mischievous items to cut jokes in our 15-second videos."

How TikTok Found BKC
Launched in 2017, by ByteDance for markets outside of China, TikTok is an iOS and Android social media video app for creating and sharing short lip-sync, comedy, and talent videos. Since then, its popularity had exploded in India with as many as 200 million users in India, with 120 million active users every month. On April 3, the Madurai bench of the Madras High Court had passed an order directing the government to prohibit downloading of the TikTok app in the country, calling it "dangerous for children". The ban was lifted later that month. Mumbai, including Thane and Navi Mumbai, boasts of several TikTok stars, with Faisal Shaikh at 24.1 million followers, being the most well known. Yet, here, if a location was a hero, City Park would be the top influencer.

Krishna GuptaSeveral factors work in its favour. While other popular locations in the city are largely the promenades at Bandra (Carter Road and Bandstand) and Marine Drive, BKC is easily accessible for TikTokers—as the video makers are called—from Dharavi, Bharat Nagar, Kurla and Bandra. It's not just the greens, but also the tall buildings against a clear skyscape and the general cleanliness that BKC boasts of, that makes City Park attractive. Videos shot here tend to get more hits and likes than from other locations in the city.

With Tony Kakkar, Siddharth Nigam and Riyaz Aly's August release Yaara teri meri yaari sabse pyaari playing in the back, the video opens with a young man trying to balance a rotating football on a finger, rather unsuccessfully. Krishna Gupta (left), who happens to be passing by, helps the hapless young boy and spins the football and hands it to him, helping him win both self-confidence and the admiration of the mean boys.

Krishna GuptaBut, Gupta is not an ordinary well-skilled-at-football TikToker. A freestyler, the 24-year-old has the much-vied-for blue tick on his account @KrishnaFSboy, and while his videos turn out much like others, often coupled with romance, friendship or collaborations with other famous TikTokers, the Golden Statue at Bandstand aka @goldenuniqueboy, a prime prop always remains the football.

He comes to City Park daily to practice his freestyle skills. The six-hour workout, not just keeps the followers intact—his current number is at 6.5 lakh—but also his fitness levels. Admittedly, the short videos help him make money as well. "I have been making videos for the last six months. I foresee my career in this as it has been helping me mint money. I get paid Rs 700 per video, provided I wear sports brand in front of the camera. Many youth in foreign countries like the USA and London have been making huge money," says the HSC graduate.

City Park, for the Dharavi resident, scores over other locations for the audience size it offers. "Each day the fan following increases and onlookers are stunned at my live performances. The presence of a large crowd encourages me to perform even better than before," adds Gupta, who has been approached by sportswear brands.

Yet, even for a short 15-second video, Gupta, often ends up spending as much as an hour just to prep for a script. Take for instance, the video with @goldenuniqueboy, where Girjesh Gaud, is seen both with and without make-up. It took an hour to wear the make-up and a few minutes to shoot. Here, City Park helps especially because as a venue there's an entry fee of only Rs 10. Amenities such as toilets and wash basins allows the artistes to keep themselves looking good despite Mumbai's sweltering skies. And, most importantly, there are no men in khaki to shoo them away.

Twenty-eight-year-old Kurla resident, Meraz Pathan vouches for this. Pathan has been making TikTok videos for the last seven months and has 79.5K followers on his handle @MerazPathan2727. He says, "The cops and security guards never stop us from making videos." His daily routine involves coming here and shooting videos with his crew of four. "There should not be hindrance while the shoot is on, else we will have to shoot again," says Pathan, who we met while he was shooting at the park's parking lot.

Naveed Patel
Reflected Glory
And if selfie spots in Mumbai are popular among tourists, City Park's fame has moved beyond the city region. We meet a team that's come from Aurangabad in central Maharashtra. It takes Naveed Patel, 19, and his team of six, a near eight-hour travel via train to get to Mumbai and Rs 235 for the trip which sometimes is merely overnight, but a day at City Park, is worth it. "I have been on TikTok since one year and have made 1,100 videos, which I have posted on @NaveedPatel46," says the HSC graduate. "Since the public likes me, I visit different places in Maharashtra, but BKC is the best location of all," says Patel even as fans surround him. Patel has over 4.76 lakh followers and 10.9 million likes.

Naveed Patel (above), who runs the TikTok handle @NaveedPatel46, with his team of six at the City Park parking lot on Thursday. Patel and his team live in Aurangabad and often travel to Mumbai via train to catch the buzz at BKC.

His partner, Altamash Patel, says, "We have been making these videos to chill and to entertain our followers. Since the public demand more videos, we have been visiting different places in Maharashtra, but BKC tops them all."

With the leaders in the business gravitating to this park, the area is also a hub for budding TikTokers, who come here to learn the tricks of the trade. And, like all interns, their first job is to help the seniors with transporting video kits. Other events on City Park's horizon include rappers. YouTubers are also seen capturing stunts on bicycles, kick scooters on the ground.

For those who come to the park for mundane things like taking a walk, TikTokers offer entertainment minus the downloads. Nikita Rathod, whom we met along with her friends, says, "This is new to me. After work, we visit here (City Park) in the evening to see them shooting. It's entertaining." said Rathod, who works in a private bank at BKC. Pankaj Jadhav, who is here with his two children, says, "This is like bonsai version of Film City. Our kids enjoy the evening at City Park as it is very entertaining for them."

Dr Samir Patil, psychiatrist, director, Fortis Mental Health says, "Social media has become an integral part of a young person's life. They use it to connect with their peer group, find affirmation and validation to express their thoughts. Above all, social media is highly accessible. It's on your phone, which is always with you. So whether you are at any place you have your phone with you and you are connected. Peer-to-peer connectivity, influence and learning and social conformity play a lot of role in it. If anything becomes a trend, it trends for a short time because it never trends forever."

Once A Marshland
Built on marshy land between Bandra and Kurla along Mithi River, the MMRDA tried all through the 1980s to attract developers to the Bandra-Kurla Complex as it is now known. It was envisioned as an alternative business district to help decongest Nariman Point. However, it was closer to the new millenium that BKC came into its own after banks, consulates and then the diamond bourse shifted here. The restaurant scene took off with easy access to high-paying diners.

Naveed Patel
Naveed Patel, who runs the TikTok handle @NaveedPatel46, with his team of six at the City Park parking lot on Thursday. Patel and his team live in Aurangabad and often travel to Mumbai via train to catch the buzz at BKC

Annu Singh
Annu Singh: A TikToker, who features in several of Rajpurohit's videos, during a shoot

Young teens
Young teens who help out TikTok stars by becoming their crew

Tiktojkers
The park has an entry fee of Rs 10. TikTokers, YouTubers share the space with regular walkers

Fiction is getting a tough fight from real-life stories that are taking over OTT platforms

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Reality check
Be it a story of a serial killer or a freedom fighter, fiction is getting a tough fight from real-life stories that are taking over OTT platforms
Aastha Atray Banan (MID-DAY; September 1, 2019)

Earlier this year, we all watched Delhi Crime, which is about the 2012 Nirbhaya rape case, and were left overwhelmed. We were also, to a certain degree, amazed that something like this could happen in real life. Or Mindhunter, in which the FBI's behavioural science unit goes to meet serial killers to know what lies beneath a killer's mind. And, we discovered that the cliche is true: fact is stranger than fiction. It's this old adage that the OTT platform ZEE5 is banking on, by focusing on content based on true events. Be it Kaafir, in which a young Pakistani mother, who comes to India, is accused of being a terrorist; Gondya Ala Re (above), the story of the first armed revolution by the youth of the country, led by the Chapekar brothers; Barot House, about a child serial killer; or Rangbaaz, based on gangster Shiv Prakash Shukla: all stories are ones that require intense research.

ANkur KakatkarFor Gondya Ala Re, a show on Damodar Hari Chapekar, Balkrishna Hari Chapekar and Vasudeo Hari Chapekar, director Ankur Kakatkar (left) took almost two years to research. The story of the Pune brothers, who were involved in the assassination of WC Rand, the British plague commissioner of Pune, was a vast one. "I knew them from my school books, but later they vanished from the MPSC syllabus. Then, in 2017, the prime minister mentioned them in the Lok Sabha and my interest piqued again," says Kakatkar, who is also from Pune. He started reading about them, including getting his hands on out-of-print autobiographies and hard-to-access court documents. "It was all jugaad, as it was very hard to get those documents from the court," says the 35-year-old filmmaker, who has also written the show. "Once I started making the show, their fourth generations got in touch, so we talked to them as well. But, eventually I knew more about them than anyone else. They were unsung heroes. Freedom fighters like Bhagat Singh and Veer Savarkar followed their cue. I wanted to make them more than just a paragraph in a history book." The writer traced their journey from 1892 to 1899 in the show, which stars Bhushan Pradhan, Anand Ingale and Sunil Barve.

Barot HouseBut, along with freedom fighters, even the stories of serial killers get told. In Barot House (right), Sanjeev K Jha, the UP writer who wrote last month's Jabariya Jodi, had to enter the mind of a serial killer; that, too, a teenage one. The show is based on different cases of serial killings across India of children, all allegedly by killers, who fell in the 14-18 age group. One took place in Maharashtra, one in Bihar. "For this show, I read a lot of serial killer novels and watched Mindhunter. I decided to go deep into the psyche of a troubled child, and had to question his parenting. So, this became a story about a father and son. When our children do wrong, aren't we the first ones to cover it?" says the 32-year-old writer, who feels that real-life stories are serving something useful to the audience. "I also found out interesting things during my research. Did you know that when serial killers are unsuccessful, they self-harm? We tried to keep it free of too much gore or sexual content, as it's more about psychology."

Siddharth MishraIn Rangbaaz, in place of a serial killer, is a gangster, who, as writer Siddharth Mishra (left) says, is also a father, son and boyfriend. Rangbaaz is the story of Rajashtan's infamous gangster Shiv Prakash Shukla. "The story is not just about a gangster, but about caste politics and state politics that were in effect then. What made a farmer's son, who was studying to be an IAS officer, become a gangster instead? We had to know his surroundings and his equations with people," says the 38-year-old, who spoke to old-school journalists (active in the '90s) to know more while also travelling and meeting his acquaintances. "We haven't tried to justify anything, but you have to show the human element, and that only comes with research," he says. "You have to maintain a balance."

And, that could be the most important part of telling a true story: to make sure all sides are told. Just like a journalist, who reports both sides of the story, these writers and directors are trying to bring the truth to fore. As Sonam Nair, director of Kaafir (below), says, "With a movie like this, which is about a Pakistani woman who was called a terrorist because she got stuck in India, political implications are big. Everyone is scared to make the movie. That's why all the facts have to be in place. We got information from the real lady, who is played by Dia Mirza, and details from the lawyer defending her. We didn't make a movie about India or Pakistan; it's fair and balanced. It's eventually a human story."

Dia Mirza with daughter

People didn’t ever forget me entirely. I guess I stayed at the back of their minds-Chunky Panday

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Rachana Dubey (BOMBAY TIMES; September 1, 2019)

In the 80s and 90s, the audience saw him lip-synching the classic, So Gaya Yeh Jahan from Tezaab (1988) and matching Govinda move-fora-move in Aankhen (1993). Chunky Panday, who returned to the lives of cinegoers with characters like Aakhri Pasta in Housefull (2010), is now juggling his schedule between multiple films, two of which present him as a villain. While it may not be easy to laugh at oneself, it’s an art that he has mastered and is gradually passing on the tricks to his 20-year-old daughter Ananya, who made her debut this year with Student Of The Year 2. In a chat with BT, Chunky discusses his current phase in the industry, his daughter’s acting career and what his mistakes have taught him. Excerpts…

Your new innings as an actor is in full force with films like Prassthanam, Jawani Jaaneman and Housefull 4, where you play diametrically different characters. Is this the most satisfying time of your professional life?
Yes, it is. I am also doing a Marathi film called Bhangarwala in which I play an Arab; after seeing that, I don’t think they will let me enter Dubai (laughs!). Before this, the only regional cinema I had tried was Bangladeshi (laughs even more), which means I’ve also done Bengali films.

I’ve been a great fan of Pran, Mehmood, Amjad Khan, Kader Khan, Shakti Kapoor and Amrish Puri. I can’t ever dream of coming close to these guys and the characters they’ve immortalised. Deva Katta, who made the original Prassthanam, felt that I could play the grey character in his story. I’ve just tried to remember the masters of such characters in Indian cinema while playing this one, with the hope that I, too, can achieve that glory.

Given that you are being offered performance-driven parts now, would you say that you’re finally coming into your own?
It wouldn’t be wrong to say that. We are actually living in the golden phase of this craft. Today, newer platforms have opened up avenues for actors. If you realise, I haven’t done much work in about 30 years as an actor. I may have 94 films to my credit, but only about 75 have been released. I am less exposed and also lucky to get the characters I have today. Also, people didn’t ever forget me entirely. I guess I stayed at the back of their minds. The second innings started with characters like Aakhri Pasta and that Nepali guy in Apna Sapna Money Money (2006). The intention was to impress the younger audience. The subsequent characters, like the ones in Begum Jaan (2017) and Prassthanam, are bonuses. I would like to believe what my wife Bhavana often says when we fight. She says, ‘There is a little devil hiding in you and you are evil personified.’ That’s a statement every wife makes when the couple fights, but I took it a tad bit seriously and decided to prove her right (Laughs!). My wife was petrified to see my look in Begum Jaan. Ananya was taken aback, but impressed. Doing negative characters had some impact at home. My younger daughter (Rysa) and wife didn’t talk to me for days after Begum Jaan released. I played a devilish guy who feeds dogs to people, while at home, I am a dog lover. When I grew a beard for that part, my daughters refused to come close to me, because I wore this weird look on my face, unlike the daddy they knew. And my wife? She refused to kiss my cheeks or hug me. So, coming into my own has not been easy.

How has this new phase changed you as an actor?
It’s made me a lot more confident, but I would say that the directors, too, had a huge role to play. To do Prassthanam and Housefull 4 in the same year is a big deal for me. I was stepping into the comedy franchise, which is almost like home to me, after doing two badass characters. The after-effect of playing those parts was that I was finding it hard to slip into Aakhri Pasta (his character in Housefull 4). The transition between roles was a challenge. Your mind tends to get confused, and you need the director’s support. I am not the greatest actor on earth, and I depend a lot on my director. Even for Prassthanam, I depended a lot on Deva Katta. If left to me, I will do the same navrasas in every film. I can trust the actor in me, but I need a chance to show something new every time. That new thing is the director’s take on the character. I always ask for that.

Jackie Shroff, Gulshan Grover, Sanjay Dutt — a bunch of your colleagues from the 1980s and 1990s — seem to have a better repertoire today than you did. As a leading man in the 1990s, why did you drop out of the scene, that, too, soon after a hit like Aankhen?
I had no option. I arrived on the scene in 1987. Govinda had come a year earlier, and in quick succession, we had Aamir Khan, Salman Khan, Shah Rukh Khan, Akshay Kumar and Ajay Devgn. There was one new face every year. My honeymoon got over in no time with so many heroes arriving on the scene. My solo-hero films did average business, but the multi-starrers did very well. In this industry, you should never underestimate or overestimate anyone. When I went to Deepika Padukone and Ranveer Singh’s wedding reception, I met filmmaker Shankar. He remembered me instantly, but it took me a while to recall that he was assisting a South filmmaker on Jai Shiv Shankar — a film I did for Rajesh Khanna’s company, which never released. Imagine, Shankar was an assistant on that film! So, you cannot discount anyone. I have seen things change overnight for people, from good to bad and terrible to great. I always feel that one should maintain a balance with people. Don’t write them off and don’t chase them crazily.

But didn’t you get almost written off when you decided to work in Bangladeshi films?
It was a phase of a meltdown. I was thinking of switching careers. I had the biggest hit in the country, Aankhen, to my name but I didn’t get much work after that. I moved to Bangladeshi films and kept doing films there because they worked. I was just running away from myself. I somehow wanted to continue being an actor, because if I didn’t, then I would have to find an alternate profession. It was Bhavna who got me back here. She told me that even in Bangladesh, people know me as Chunky from Bollywood. Filmmaker Harry Baweja gave me my first role during that phase in Qayamat: City Under Threat (2003). Things changed from there. There are times when you ask yourself why certain things happened and what went wrong. I think I made a lot of good choices, but I also made many mistakes; I was meant to make them. For instance, I left Tridev (1989) for another film. Everyone makes mistakes and learns from them. Today, if I get a great character, I do it, no matter what. I wish I was as wise a few years ago. It took me some soul searching and introspection to be like this. I was getting characters even back then, but my mind was not ready for them. Today, I am thick-skinned, and I have no ego. I change my colours like a chameleon, and I can laugh at myself. That makes life easier for an actor.

Isn’t it strange that when you decided to come back, the work didn’t really come from the friends who you often hang out with?
It didn’t come from friends because I have never depended on them to give me work and I don’t like bringing work between us.

While you are clearly enjoying your second innings, your daughter Ananya has started her career…
I am damn excited for her. I was also scared about that at one point. The most important thing for any actor is to be accepted by the audience. I’ve always told this to Ananya because there’s just that much advice I can dole out. She’ll have to figure her way through this on her own, making her own choices and her own mistakes. I’ve always told her that no one can ever predict the box-office success of a film, because a billion people decide that. I stopped worrying when I saw Student Of The Year 2 at a private screening. Bhavna and I were sure she would find acceptance. There’s no harm in being excited and optimistic, but one should never get carried away.

Ananya has entered the industry at a time when actors have to face pressure beyond box-office performance of their films. Social media pressure is a major aspect today...
Yes, the golden phase of show-business has its own perils. I’m proud of my daughter’s initiative to fight social media bullying instead of giving in to it. It’s a nasty thing that affects so many people. Someone had to bell the cat and Ananya has taken the lead. She’s 20 and doing something brave for her age. Today, I just hope that she enjoys everything she does. She did well academically, but she’s learning things now, and things that will help her survive in an industry like ours. She did her formal training in acting, but no university can teach you things that Bollywood can. And trust me, it teaches you too many lessons very quickly.

Link-ups with co-actors happened in the 1990s, and they happen even today. Within six months of her debut, Ananya has already faced such a situation...
Yes, she got linked very early on in her career, but as they say, you live and die by the sword. It happened then and it happens now. You can’t control it, whether you’re married or single. I only tell her to take it in her stride, what else can I advise her on this? Even as an actor, when she asks me my opinion on her scripts, I don’t say much, because I want her to make her decisions and stand by those, forever.

CBFC unveils new logo and certificate design

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BOMBAY TIMES (September 1, 2019)

The Central Board of Film Certification (CBFC) now has a new logo and certificate design, which were unveiled at an event held in Mumbai yesterday. CBFC chairperson Prasoon Joshi along with Union Minister for Information and Broadcasting, Prakash Javadekar, Secretary of I&B, Amit Khare and eminent members of the film fraternity were present at the interactive session.

Talking about the new logo and certificate design, Joshi said, “I believe that the design should reflect the contemporary digital world and leverage the ease that technology has brought in our work processes. The design change is not cosmetic; it is extremely functional and underlines CBFC’s positive valueadded approach.”

While addressing the members of the film fraternity and the media, he highlighted initiatives that the CBFC has undertaken for the industry in the last few years. These include transparent and smooth functioning, and simplification of the Animal Welfare Board of India (AWBI) issues, among others. Joshi added that he believes that rather than confrontation and controversy, a more positive approach of “dialogue and discussion” should be practised. He also lauded the efforts of the CBFC members who have been instrumental in taking this forward. The Board comprises Gautami Tadimalla, Vani Tripathi Tikoo, T S Nagabharana, Narendra Kohli, Mihir Butia, Waman Kendre, Vidya Balan, Jeevitaa Shekhar, Vivek Agnihotri, Neil Herbert Nongkynrih, Ramesh Patange and Naresh Chandra Lal.

Regional officer Tushar Karmakar, too, presented the new approach of the CBFC for making the film certification process smooth and transparent.
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Prakash Javadekar said the Cinematograph Act will be amended in November
Himesh Mankad (MUMBAI MIRROR; September 1, 2019)

Union Minister for Information and Broadcasting Prakash Javadekar and Central Board of Film Certification chief Prasoon Joshi unveiled the CBFC’s latest certificate design and logo in Mumbai on Saturday. Joshi told reporters that the certificate’s design is in sync with the digital world and is significantly more interactive.

Meanwhile, during his address, Javadekar said the controversial Cinematograph Act will be amended to crackdown on piracy by November. The1952 law, has been criticized for being outdated. “The changes in the CBFC are part of Prime Minister Narendra Modi’s vision of Digital India,” Javadekar said. The minister also invited suggestions for certification of online content.

The board said certificates of all films released since1952 have been digitized and will be available on the CBFC website. The new certificate highlights the rating granted to the film in yellow and includes a QR Code that producers can scan to access data related to the film.

Renowned film industry personalities Vidya Balan, Kangana Ranaut, Sajid Naidadwala, Ramesh Taurani, Madhur Bhandarkar, Satish Kaushik and Vidhu Vinod Chopra were among those present at the event.

Joshi said he has prioritized streamlining the board’s functioning during his stint as its chief. “We work extra hours so that films do not suffer,” Joshi said. “In the last two years, the CBFC has become smoother, faster and more importantly, transparent.”

The CBFC chief said that people should be educated about what the CBFC ratings mean. “Film certification is important,” Joshi said.

On January1, 2016, a committee led by filmmaker Shyam Benegal was formed to lay down norms for film certification that incorporate the best practices from around the world.

Not much has changed in the guidelines of film certification since then. “We have got a lot of suggestions and we will soon amalgamate all of them and then work on the solution,” Javadekar said when asked to comment on the matter.


Sonakshi Sinha-Maniesh Paul reunite post Da-Bangg The Tour for cellphone ad

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Sonakshi Sinha and Maniesh Paul
Chaya Unnikrishnan (DNA; September 1, 2019)

Last time Sonakshi Sinha and Maniesh Paul came together for a reality show, Indian Idol 10, which the latter hosted, they had the crowd in splits with their shenanigans. The actress helped the popular host drape a sari and they danced to her song Saree Ke Fall Sa (R... Rajkumar, 2013). The duo has also shared the stage on Salman Khan’s Da-Bangg The Tour. Maniesh with his wit and Sona with her effervescence are a riot together. Now, the pair is reuniting to endorse a cellphone brand.

Currently, the popular TV host is anchoring Nach Baliye 9, while the actress is shooting for Dabangg 3, but they have already filmed two ads for the brand. While the concept is under wraps, sources say the first ad film was shot in a jungle in the rain.

“It was pouring on the day of the shoot, and we shot for nearly 12 hours at a stretch. Maniesh and Sonakshi share a warm camaraderie and it was a pleasure working with them. Not only were they thorough professionals but they also lightened up the mood on the sets,” said a source from the sets.

Expectations scare me-Prabhas

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Prabhas: Expectations scare me
Saaho has made Prabhas Bollywood ready. The South sensation is liking the hustle and bustle of Mumbai and his love for vada pav will keep bringing him back
Shaheen Parkar (MID-DAY; September 1, 2019)

On the eve of his film's release, South sensation Prabhas prefers "to run away somewhere." He's done his job, now let the audience decide. "I take off for a holiday," he says. It's always a well-deserved break considering the years that go into the making of every film of the Telugu star. For the last two years, he has been tied up with his new release, Saaho. He invested five years in the two-part Baahubali series, which hit screens in 2015 and 2017. Katappa ne Baahubali ko kyu maara was the question that haunted viewers for two years till the second part released.

The Telugu actor is aware that he will have to live with the Baahubali tag. "Expectations scare me," he says. "From the first part to the second part, it was like climbing from a mountain to scaling Mount Everest. Baahubali was a dream." He still pinches himself to know if it happened for real.

Low-Profiled
For most, the unassuming Prabhas remains an enigma. He prefers it this way "but now I have learnt to open up. I am more comfortable doing media interactions. Saaho has taken me to Bollywood." He has learnt how to do back-to-back interviews as well as the rounds of reality shows, where you have to play to the gallery. He even called Raveena Tandon his crush on Nach Baliye while promoting the film on the dance reality show.

Saaho has also made him Bollywood-ready but he still can't understand the paparazzi culture and airport look, which is non-existent in the South. He finds it rather amusing. Nor does he comprehend the rush to be here, there and everywhere when a film is up for release. Just like the way he chooses his films, he prefers working at this own pace. We catch up with him at a Goregaon hotel. Unlike Bollywood stars who travel with an entourage, there's only a manager accompanying him.

He is learning the hows and whys of B-Town. "Yes, I am open to doing Hindi films. Let's see how things work out." Though he understands the national language, he is not fluent in it due to lack of practise. "In the Hindi version of Saaho, I have delivered the dialogues with the help of a tutor. I do watch a lot of Hindi films." Another way to get familiar with the language.

Full Of Life
The publicity blitzkrieg for Saaho made him zip into Mumbai often. "Mumbai has a lot of energy, it's bustling but Hyderabad is home. My family and friends are there, so it will always be the place where I will go back to."

Prabhas has been relishing the city's street food. When in Mumbai, he lives off vada pavs. Saaho co-star Shraddha Kapoor also introduced him to Maharashtrian fare. "But I love north Indian food, especially naans and parathas. I am always looking for that perfect dish of butter chicken, that's my favourite too." He's glad that Kapoor stood by the project. "Shraddha is a performer. She respected the project despite the delays. It speaks volumes about her."

As Baahubali and Saaho required VFX and "the makers wanted the best, the projects took long to complete." He's a patient actor and had no qualms working with the 20-something director Sujeeth in Saaho. "He's a youngster, but he's terrific. He has worked with the best technicians in the South, so he has a firm grasp of the filmmaking process. The director is the captain of the ship, so we have to listen to him," he chuckles. Prabhas's next project is a Telugu love story, helmed by Radha Krishna Kumar. The film is slated to release next year. "I have already done a bit of shooting," he informs.

Turning 40
The South sensation turns 40 next month. Every time his film releases, his legion of fans wonder if he will tie the knot. He does not know what to say except laugh aloud. There has been tattle about him and South star Anushka Shetty. For the longest time there were rumours that the two are getting married. But nothing has happened as yet. "One thing is for sure, you will see me in more films now," he chips in.

Prabhas and Shraddha Kapoor in Saaho

Image: Anushka Sharma turns cop for first time

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Anushka Sharma
DNA (September 1, 2019)

From playing a blood-thirsty demon and a possessed young girl in Pari to a village girl with skilled hands in Sui Dhaaga: Made In India last year, Anushka Sharma has won acclaim for her performances. Even in her brand outings, the actress has been creative. She played the triple role of a grandmother, mother and daughter in a recent commercial. And, now, we hear she will play a cop in her next ad.

“Anushka dons the cop’s uniform and raids the house of a suspect in this ad. It’s a hilarious concept and her comic timing is spot on. It’s a fun, quirky ad that will leave you in splits,” informs a source.There are also reports about the Zero actress doing a cop drama next. But this is probably the first time that an actress will play a cop in an ad.

Batla House collects 83.55 cr in 16 days

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Box Office India Trade Network

BATLA HOUSE saw a big drop in collections due to the competition as it collected 50 lakhs nett apprx on its third Friday. The drop was expected with the release of SAAHO and the film will not add much now but the job is done and the film is HIT.

This takes the collections of the film to 83.50 crore nett and it will probably end with business close to 90 crore nett.

The collections of the film till date are as follows.
Thursday - 14,50,00,000 apprx
Friday - 7,50,00,000 apprx
Saturday - 9,50,00,000 apprx
Sunday - 12,00,00,000 apprx
Monday - 4,50,00,000 apprx
Tuesday - 4,25,00,000 apprx
Wednesday - 3,75,00,000 apprx
Thursday - 3,50,00,000 apprx
Week One - 59,50,00,000 apprx
Friday - 3,75,00,000 apprx
Saturday - 5,75,00,000 apprx
Sunday - 6,75,00,000 apprx
Monday - 2,00,00,000 apprx
Tuesday - 1,90,00,000 apprx
Wednesday - 1,70,00,000 apprx
Thursday - 1,50,00,000 apprx
Second Week - 23,55,00,000 apprx
Friday - 50,00,000
TOTAL - 83,55,00,000 apprx

Mission Mangal collects 174.65 cr in 16 days

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Box Office India Trade Network

MISSION MANGAL saw a drop in collections on the third Friday due to the release of SAAHO but the drop is not as much as BATLA HOUSE and the collections are pretty good. The third Friday collections of the film are in the 1.50-1.75 crore nett range and the film looks to be heading for the 190 crore nett mark for lifetime business which is a huge number for this film and not much less than BHARAT which released on Eid.

The film will cross 60 crore nett in Mumbai and 12 crore nett in Mysore and 10 crore nett in West Bengal and all these are benchmarks for Akshay Kumar starrers.

The business of MISSION MANGAL till date is as follows.
Thursday - 28,50,00,000 apprx
Friday - 17,00,00,000 apprx
Saturday - 23,50,00,000 apprx
Sunday - 27,50,00,000 apprx
Monday - 8,50,00,000 apprx
Tuesday - 7,50,00,000 apprx
Wednesday - 6,50,00,000 apprx
Thursday - 6,00,00,000 apprx
First Week - 1,25,00,00,000 apprx
Friday - 7,50,00,000 apprx
Saturday - 12,75,00,000 apprx
Sunday - 14,75,00,000 apprx
Monday - 3,75,00,000 apprx
Tuesday - 3,40,00,000 apprx
Wednesday - 3,00,00,000 apprx
Thursday - 2,75,00,000 apprx
Second Week - 47,90,00,000 apprx 
Friday - 1,75,00,000 apprx
TOTAL - 1,74,65,00,000 apprx

Saaho (Hindi) collects 24 cr on Day 1

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Box Office India Trade Network

SAAHO (Hindi) collected huge numbers on day one in Hindi with 24 crore nett apprx on its first day. This was with the film getting late delivery of prints affecting practically every circuit. Even places in Maharashtara and Gujarat were affected. The film has higher numbers than MISSION MANGAL which was a holiday release across practically every Hindi circuit except Mumbai and West Bengal

It is the third best number for a Hindi film this year and that is with 10-12% of the market missing in South and the release issues. It comfortably beat the numbers of films like KESARI, KABIR SINGH and TOTAL DHAMAAL. The best performance for the film in Gujarat/Saurashtra, Bihar and Odisha. Odisha has seen an all time record with the Hindi version set to be around 90 lakhs nett and the circuit likely to go much higher due to a big Telugu release also.

These numbers are simply huge for a primarily Telugu film and the collections would be 30 crore nett plus if it was released like other Hindi films and had no release issues. The reports are not there for the film but it remains to be seen how it behaves today and tomorrow. Despite the negativity the collections in the Hindi market are far above realistic expectations from the film as no matter what what the film is a dubbed Telugu film without the the goodwill of a BAAHUBALI and no big Hindi star like Akshay Kumar which 2.0 had. Its a different matter whether the film can go from here like those films did.

The film has also put up extraordinary numbers in Nizam/Andhra and Karnataka and the all India breakdown will given later. It is easily the second highest opening day pan India with total collections which could cross 80 crore nett.

Saaho records second highest collections of all time

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Box Office India Trade Network

SAAHO recorded the second highest collections of all time behind BAAHUBALI 2: THE CONCLUSION as it picked up around 87 crore nett apprx on day one across India. The film did best in Nizam/Andhra with 49 crore nett (including Marathwada and Hindi prints) while Hindi circuits contributed 22.25 crore nett without Marathawada and Hindi in South) while Karntaka/Mysore was 10 crore nett. Tamil Nadu and Kerala did not perform with 3 crore nett and 1 crore nett respectively. Then there is around 1.75 crore apprx total of regional versions in Hindi circuits for an all India total of 87 crore nett.  The GROSS collections will be around 99-100 crore.

Below are the top twenty opening days in India in terms of NETT collections and there are a few Telugu films getting into the top twenty due to lower taxing in the past. The GROSS top twenty will probably see more Hindi films and that will be updated later. Irrespective of this, there is just one Hindi film in the top five and in time Hindi films could struggle to get into the top ten. In the 90's you may have had a couple of non Hindi films in top twenty. In the 70's there would be no non Hindi film in the top fifty and now we are in approaching the 20's and it can be seen how that trend has gone in the last fifty years.

1. Bahubali 2: The Conclusion (2017) - 121.72 crore
2. Saaho -  87 crore apprx
3. 2.0 (2018) - 55.62 crore
4. Avengers: Endgame - 53.30 crore
5. Thugs Of Hindostan (2018) - 49.25 crore
6. Kabali (2016) - 43.18 crore
7. Bharat (2019)- 41.62 crore
8. Bahubali 2: The Beginning (2015) - 40.73 crore
9. Agnyaathavaasi (2018) - 40.20 crore
10. Prem Ratan Dhan Payo (2015)- 39.72 crore
11. Happy New Year (2014) - 36.91 crore
12. Sultan (2016) - 36.59 crore
13. Vinaya Vidheya Rama (2019) - 35.86 crore
14. Khaidi No1 (2017) - 34.74 crore
15. Sanju - (2018) - 34.19 crore
16. Tiger Zinda Hai - 34.12 crore
17. Dhoom 3 (2013) - 34.00 crore
18. Maharasi (2019) - 33.87 crore
19. Aravinda Sametha Veera Raghava (2018) - 33.42 crore
20. Jai Lava Kusa (2017) - 32.97 crore

Bollywood filmmakers laud the new CBFC logo and certificate

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CBFC chief Prasoon Joshi with Prakash Javadekar, the Union Minister for Information and Broadcasting, and Environment, Forest and Climate Change

Rachana Dubey (BOMBAY TIMES; September 2, 2019)

On an evening when Mumbai’s sky was overcast with rain clouds, members of the city’s film fraternity gathered at a suburban five-star hotel to witness the inauguration of a new logo and certificate designed for the Central Board Of Film Certification (CBFC). The evening, hosted by lyricist Prasoon Joshi, the chief of the CBFC, turned out to be a fraternity-studded affair. Prakash Javadekar, the Union Minister for Information and Broadcasting, and Environment, Forest and Climate Change, and Amit Khare (right), the secretary of the Ministry of Information and Broadcasting, were the key guests for the evening.

Members of the board like Vidya Balan, Vani Tripathi Tikoo and Waman Kendre were seen exchanging pleasantries with cinema industry representatives from all over the country. Among the dignitaries present were filmmakers like Vidhu Vinod Chopra, Ekta Kapoor, Rahul Rawail, Subhash Ghai, Ramesh Sippy, Siddharth Roy Kapur, Ram Madhvani, Prahlad Kakkar, Ramesh Taurani, Anubhav Sinha, Amit Sharma, Tanuj Garg, Ajit Andhare, Boney Kapoor, Sajid Nadiadwala, Mahaveer Jain, Sudhir Mishra, Kunal Kohli, Kiran Shantaram, Madhur Bhandarkar, Ashoke Pandit, Atul Kasbekar and actress Kangana Ranaut. The highlight of the evening was the unveiling of the new logo and a brand new design for the certificate that will now be issued to films and videos that are certified by the body. The certificate’s logo and design has been conceptualised by Prasoon Joshi, while the art design is by Rohit Devgun.

While speaking on the occasion, Prasoon took the guests through the board’s achievements in his two-year-tenure, what the industry can look forward with respect to the board and also the way the industry’s interaction with the board has changed from vivaad to vichar-vimarsh. CBFC’s Regional Officer Tushar Karmakar also presented interesting statistics to the guests which underlined the speedy procedures being followed by the board and the spike in the number of films being certified year on year.

Prakash Javadekar also spoke on the occasion about what the industry can look forward to in terms of changes in the Cinematograph Act (1952), new and more stringent laws to prevent piracy, the introduction of a business summit for the movie industry on the lines of a business summit held in Davos annually, the 50th year of the International Film Festival (IFFI) of India poised for a grand celebration in Goa based on the theme of Ek Bharat Shresth Bharat, and what the ministry plans to do for the film fraternity in the near future. The minister also fielded questions from the representatives of various bodies of cinema operating in different parts of the country, including the industries down South. After a healthy discussion, the evening ended with a short closing note by Prasoon and the star guests of the evening interacting with the minister and the ministry’s secretary.


SCAN CODE, GET INFO!

The CBFC’s new certificate has been designed keeping digitisation in mind. The new contemporary design bears a QR code on the right-handside corner along with the rating given to the film. The certificate has been made in an interactive style. The film’s synopsis and trailer can be watched by merely scanning the QR code. All the information about the film, including the cast and crew, can also be accessed by scanning the code.


Kangana Ranaut and Vidya Balan


(L-R) Rahul Rawail, Sudhir Mishra and Vani Tripathi Tikoo

Gaurang Doshi announces a royal collaboration for his upcoming films

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BOMBAY TIMES (September 2, 2019)

Producer Gaurang Doshi, who has backed films like Aankhen (2002), is all set to end his long hiatus. He has now joined hands with His Highness Sheikh Theyab Bin Khalifa Bin Hamdan Al Nahyan, a member of the Abu Dhabi royal family, for three of his upcoming projects. These films include Aankhen Returns — directed by Anees Bazmee — and is slated to be an Eid or Diwali release next year; director Neerraj Pathak (left) Happy Anniversary, which is slated to release early next year, and Indians In Danger, directed by Abbas-Mustan.

Apart from films, Gaurang is also entering the digital arena with an OTT platform. He has also announced a Hollywood project, which will be co-produced by Brazilian filmmaker Raphael Bittencourt. The shooting of the Hollywood project, which is likely to release early next year, has been completed. Raphael conveyed his excitement over working with Gaurang. He further added that he is looking forward to the association and achieving many mutually beneficial milestones.

The announcements and the launch, which took place recently at Abu Dhabi, was graced by the royal family, along with several filmmakers and business heads. Sultan Saeed Rashed Saeed Alalawl (right), a member of the royal family, attended the event. While His Highness Sheikh Theyab Bin Khalifa Bin Hamdan Al Nahyan is investing in Gaurang’s ventures, the Bollywood producer is also partnering with business and entertainment entrepreneur Munir Awan. That’s not all; he is also being backed by the Abu Dhabi government’s National Council of Media for the shoot of his upcoming web-series and movies in the country. Gaurang, who has produced movies like Aankhen, Deewaar: Let’s Bring Our Heroes Home (2004) and Bawandar (2000), holds four Limca Records for his movies. He inherited the art of filmmaking from his late father, Vinod Doshi, who has backed movies like Sachaa Jhutha (1970) and Nastik (1983), and presented hits like Dil (1990) and Beta (1992), under the banner of VR Pictures. Now, with his newly launched banner, Gaurang Doshi Productions, Gaurang aims to offer more unconventional content to the audience.

The producer is all praise for Amitabh Bachchan, who has featured in his movies. He says, “I’m one of those few individuals who can proudly share their experience of working with a true legend. I cherish the honour of working with him on multiple projects in the past, and am looking forward to many more. He is my beloved godfather, and my real inspiration, who has blessed me with his wisdom. I’m excited to have him on board for Aankhen Returns, and there are many more to come. My projects are incomplete without him.”

Talking about returning to making films, Gaurang says, “It is good to be back after facing many hurdles that were uncalled for. This proves the fact that true talent never dies. No matter how hard the road is, or how determined your haters are to bring you down, with relentless passion and determination, one can achieve success.”



I want to be the bridge between poets and listeners of music-Kavita Seth

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Kavita Seth: Want to be the bridge between poets and listeners of music
Kavita Seth on taking further her music series that celebrates poets, with Amrita Pritam
Sonia Lulla (MID-DAY; September 2, 2019)

Amrita PritamAfter reviving the works of Urdu poet Wasim Barelvi, Kavita Seth has trained her focus on the late Punjabi poet, Amrita Pritam to further her music series, Main Kavita Hoon. The passion project evolved from a web series, to live concerts, and finally, a line-up of albums, all of which, she says, have been well-appreciated, "with or without promotional nudges".

The success recipe, she suggests, lies in selecting songs that first boast of their lyricism instead of their ability to make for good compositions. "I started this series with the aim of promoting good poetry. The criterion for selecting any poem is hence the lyrics; we think about the composition later. I recall that the album based on Wasim ji's works enjoyed good streaming numbers, even though there was no promotional work involved. That's because good lyrics always find takers. It's also the lack of promising lyricism that has reduced the shelf-life of today's songs," she says, asserting that she even taps into the works of the less celebrated, if their verses have had an impact on her. "I am not promoting only the famous. I am also reviving the works of the less popular so that their poems are not restricted to books alone."

Bashir BediFor Pritam's poetry, she recalls being challenged while composing the eight tracks that comprise her latest album. "While [her poems] have rhythm, there are many free verses as well. Composing for them was hence hard. I had her book in hand 24 hours a day, and would even sleep with it under my pillow. Once, I woke up with a tune at 2 am and began to work on it. She had a specific way of writing that was unique to her. The manner in which she describes her relationship in Main Tenu Phir Milangi is something only she could do."

Working on Dr Bashir Badr's (left; above) poetry, on the other hand, was simpler because "the way he wrote was simple". The Urdu poet's collection will be part of Seth's forthcoming album that eyes a release after two months. "We enjoyed practising for the recording of his poem, Kaun Aaya Raste Aaina. But when we took the song into the studio for the live recording, we enjoyed it even more," she says when prodded about her most memorable numbers. "I'm proud that I've grown up listening to such material from our artistes. So, I want to be the bridge between poets and listeners of music."

Tomar sisters help Saand Ki Aankh team recreate 10-meter range in Johri

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Taapsee and Bhumi Pednekar
Production designer of Taapsee Pannu, Bhumi Pednekar's sharpshooter biopic Saand Ki Aankh on recreating 10-meter range in Johri
Mohar Basu (MID-DAY; September 2, 2019)

Tomar sisters help team Sand Ki Ankh recreate 10-meter range in JohriGiven the adulation they receive in their hometown, the Tomar sisters were able to create a smooth inroad for the makers of Saand Ki Aankh into Uttar Pradesh's Johri. Having access to the village, and, of course, the homes of former sharpshooters Chandro and Prakashi Tomar implied that production designer Ravi Srivastava could seamlessly recreate their world for the upcoming Taapsee Pannu and Bhumi Pednekar starrer. But he was plagued with another task.

"The film had to look realistic, but Tushar [Hiranandani, director] envisioned it as a commercial movie. To strike a balance between those two elements was key. The subject is not of a masala potboiler, even though Tushar has grown up on an appetite of commercial films. People don't know about shooting; cricket and hockey are more popular [in India]. [I had to employ] elements to attract people to the film's drama."

Ravi SrivastavaIn a bid to recreate the village that was home to India's brightest shooters, Shrivastava (left), credited for breathing life into films like Life Of Pi and Slumdog Millionaire, built a home from dilapidated houses. "As for the shooting range, while we mostly filmed at real ranges, we also created a small shooting range, employing six machines. The sisters gave us several insights into the sport, and cues on how we could set-up a 10-meter range. The manual shooting ranges have been used for the film's early scenes," says the designer, adding that local authorities provided them with sufficient aid to enhance their set.

I liked Ira Khan's vision for the play-Sarika

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Sarika: Liked Ira Khan's vision for the play
After turning down an offer to act, Sarika on producing Aamir Khan's daughter Ira Khan's directorial debut, the Greek tragedy play, Medea
Shaheen Parkar (MID-DAY; September 2, 2019)

SarikaOnly days after celebrating kick-starting her career as director of a music video, Ira Khan has graduated to tackling bigger projects. On her plate is the Greek tragedy play, Medea, which the daughter of Aamir Khan is set to helm in an English adaptation. Interestingly, backing her endeavour is Sarika, who spent the past three years since her act in Baar Baar Dekho (2016) quietly setting up a production house.

Sarika tells mid-day that the offer to be part of Ira's venture came to her under different circumstances. "Ira called me and said she wanted me to act in her play. I didn't want to. So, instead, I offered to produce it. She is like my own baby, and if she wanted me to be part of this, I definitely would be. Also, I liked her approach and vision. I was confident about her directorial sensibilities," says Sarika.

The mythology was first performed in 431 BC, reportedly at the City Dionysia festival. "It is interesting to see how a woman belonging to this era perceives the complexities of a women from 431 BC," says Sarika of her decision to produce the project.

Theatre production, she reveals, is an art she began to dabble in over the past three years. Medea will come out of her newly launched production house, Nautankisa, created along with younger daughter Akshara, and friend Sachin Kamani. When Medea came her way, Sarika was already afloat with a Hindi play, she tells us. "Theatre and films may appear similar, but in the case of the former, artistes interact with the audience directly. Both mediums pose different challenges. Just like cinema, theatre too has the power to transport one to another world. That's the magic of actors and creators," she discusses of her new-found love.

Unafraid to swim against the tide, she doesn't mind exploring theatre at a time when artistes are cashing in on the digital boom. "The idea is to produce art in every form. Creators now have so many platforms to share content."

Medea, The Play
Written by tragedian Euripides, Medea revolves around a princess of the barbarian kingdom of Colchis, and the wife of Jason. Finding her position threatened after Jason leaves her for a Greek princess, she plots her revenge.

My first ever modak was given by nani-Shraddha Kapoor

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Shraddha Kapoor
Chaya Unnikrishnan (DNA; September 2, 2019)

Basking in the good opening weekend of Saaho, Shraddha Kapoor is all set to celebrate Ganesh Chaturthi with aplomb. “I am feeling really good and grateful. It’s my first pan-Indian film and for it to have such a wide reach and acceptance feels really good. Just filled with a lot of gratitude right now,” she gushes. She also has the release of Chhichhore to look forward to this week.

The Stree star has been busy juggling the promotions of her two back-to-back releases, but today, she will make sure to be there for the festivities. “It has been extremely hectic but I am trying my best to come out of work mode and be at home for Ganpati, even if it’s for a short while, as this is one festival that’s close to my heart,” says the pretty actress.

Shraddha has fond memories of the celebrations from her childhood. For several years now, the family has been bringing an idol of the elephant-god to her grandfather’s place, which is in the same building as the actress’s home. Her grandparents are no more but they have carried on with the tradition of hosting Ganpati. “My first ever modak was given to me by my nani. What I love the most about this festival is that I get to catch up with all my relatives during this time. While growing up, all my cousins, aunts and uncles would come to the house and we would do the aarti together. My grandfather, Pandharinath Kolhapure, was a classical singer and we’d have a musical evening. Even my mom and aunt would join him. I’d be extremely nervous to sing in front of everyone but I would, and I gradually got better with each year,” she smiles.

Interestingly, it was during this festival that Shraddha discovered that she has aunts who are younger to her! “Ganpati is the best time to meet everyone from my mother’s (Shivangi Kapoor) side. And that was when I found out that there is a big age gap between my mom and some of her cousins,” the actress laughs.

Since the last few years, they have been bringing an eco-friendly Ganpati idol home. “The credit goes to my aunt Tejaswini (Kolhapure). She is environmentally conscious, and does everything for the cause. She was the one who told us about it and we followed it,” says Shraddha. They host the God for one-and-a-half days and during the period, there is a veritable Maharashtrian feast at home. “There is everything from varan bhaat, koshimbir to khatkhata. There is Idli also. It is spread out on a leaf and we all sit down on the floor and eat. It is great fun,” she shares.

On the day of the festival, Shraddha usually wears salwar kameez while her mom and aunt drape traditional saris. “I feel better in a salwar kameez because it is convenient to run to and fro bringing plates or glasses. I enjoy this aspect also where all of us work together,” she says. What will she ask the Lord for this year? “I won’t ask for anything. I will just pray and thank him for everything,” she says signing off.

Shraddha Kapoor

Image: Shraddha Kapoor joins protest against move to axe 2,000 trees in Aarey Colony

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BOMBAY TIMES (September 2, 2019)

Citizens’ groups from across the city held protests against the move to axe more than 2,000 trees in Aarey Colony to build the Metro 3 car shed. Carrying posters and banners that said, ‘Save Aarey’, ‘Aarey bachao’, ‘Yes to Metro, no to Metro car shed’, ‘Mumbai ki jaan’, ‘You can ignore us, but you will regret it’, ‘We don’t need development at the cost of environment’, Mumbaikars of all ages stepped out in the pouring rain to voice their concern.

Actress Shraddha Kapoor also showed her support for the environmental damage that the axing of trees would result in. Dressed in a white tee, which had ‘Save Aarey’ written on it, she urged authorities to rethink their decision of cutting tees in Aarey Colony.

Aanand L Rai and Bhushan Kumar to collaborate for content-driven cinema backed by strong music

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BOMBAY TIMES (September 2, 2019)

Filmmaker Aanand L Rai and producer Bhushan Kumar have come together to mark the beginning of a long-term association in Bollywood. After collaborating several times over music, these two successful moviemakers have finally decided to bring their collective strengths together and make movies, which are not only content-driven but also backed by strong music.

With this goal in mind, Aanand and Bhushan have already planned several films in the near future, which will be jointly produced by Bhushan’s T-Series and Aanand’s Colour Yellow Productions.

The much-awaited sequel to the quirky comedy Shubh Mangal Saavdhan — Shubh Mangal Zyada Saavdhan (SMZS), featuring Ayushmann Khurrana, Neena Gupta and Gajraj Rao, will kick-start their new association. Directed by Hitesh Kewalya, just like the first part of the franchise, this sequel will also deal with a serious subject in a comic way.

Commenting on this partnership, Bhushan Kumar said, “I had earlier associated with Aanand L Rai for the music of his films — Tanu Weds Manu and Zero. He has a great music sense, and now I am delighted to collaborate with him for movies, too. Along with SMZS and some films helmed by Aanand himself, we have more projects in discussion. T-Series has always believed in creating content for a global audience, and with this collaboration, we hope to deliver some solid, content-rich and entertaining films. Our passion for music and movies is surely going to make our collaboration successful.”

Aanand adds, “I am excited about our association. I believe they add tremendously to a film with their understanding of music and the pulse of the audience. With our combined strengths, we hope to collaborate on scripts that are exciting, empowering and entertaining.” With more films in discussion, the duo will announce their future projects soon.
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