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Shah Rukh Khan was an absolute showstopper. He was charming and gracious-Shabana Azmi

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Subhash K Jha (DNA; March 7, 2017)

Shabana Azmi held her annual fashion show in aid of the girl child on Sunday. This year, she had a special showstopper — Shah Rukh Khan — walking the ramp. And the actress can’t stop raving about him.

“It was our grandest show. Shah Rukh was an absolute showstopper. He was charming and gracious. He held two of the local girls Shweta and Aditi close to his heart, complimented Shweta on her dimples, gave a very heart-warmng speech on my father Kaifisaab and on the work we do.” He walked with Anushka, who was returning to this ramp a third time.

Adds Shabana, “My father was in anguish when he returned to the village where he was born, 40 years after he had left for Mumbai. Instead of giving up in despair, he decided to stay back and serve his village, and provide the girl child equal opportunity to rise to the full level of her potential.”

Rangoon in fresh trouble; flouts Censor rules, Board to take strict action

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Subhash K Jha (DNA; March 7, 2017)

With Rangoon playing in theatres sans censor certificate and the anti-smoking statutory warning, the Central Board of Film Certification (CBFC aka the Censor Board) is considering pulling up the makers of the Vishal Bhardwaj film. This came to light after the CFBC received complaints about Rangoon flouting rules. The Board is expected to take legal recourse.

Serious offences
CBFC’s chairperson Pahlaj Nihalani said, “It has been brought to our notice that Rangoon has been playing in theatres across the country and outside India without the censor certificate and without the anti-smoking short films, which are compulsory for all films that show actors smoking and/or drinking. Rangoon had many scenes showing the main leads indulging in serious substance abuse. We asked the makers to put a disclaimer ahead of the opening credits. That disclaimer has gone missing. Now, we have been informed that the anti-smoking films do not play at the beginning and after the intermission. And also that the censor certificate is not flashed at the start, as per law. These are serious offences.”

Investigation on
Adds Pahlaj, “We are taking legal action against the digital operators, to begin with. We would not like to point fingers at anyone else for the lapse at this time. It is the digital operators’ responsibility to play exactly the length that is shown to us and certified by the CBFC. Not a second more or less of footage must be shown in theatres than what we have certified. The exact length of the film that is shown to us and certified by us is mentioned in the censor certificate. If the anti-smoking films have been removed from the beginning and after intermission and if the censor certificate is not being shown in Rangoon, then, the digital operators are screening less footage than what has been approved by the CBFC. It is a serious offence. We are investigating to see how deep the offence goes.”

He further adds, “Maybe some self-appointed intellectuals of our film industry feel it is okay to break the law as long as they can ridicule the jurisdiction of the CBFC.”

Pehle Bhi...
Rangoon director Vishal Bhardwaj had spoken up vehemently against the anti-smoking disclaimers. In 2012, while releasing his film Matroo Ki Bijlee Ka Mandola he had removed the usual mandatory anti-smoking films that are shown twice with all feature films and had replaced it with a humorous song composed especially for the film.

I was in Mumbai and it is a Majid Majidi film, so I came on board-Goutam Ghose

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Filmmaker Goutam Ghose plays a small but significant role in the Iranian director’s next
Natasha Coutinho (MUMBAI MIRROR; March 8, 2017)

National Award-winning filmmaker Goutam Ghose is excited about facing the camera for acclaimed Iranian director Majid Majidi’s next. Zee Studios and Eyecandy Film’s Beyond the Clouds is currently being shot in Mumbai. Speaking to Mirror, Ghose says, “I’m halfway through and have just two days of work left. As a filmmaker, it’s exciting to work with another director. He has a translator to communicate his instructions from Persian to English but given his involvement it’s like we’re speaking the same language. The film doesn’t have any big stars, but Majidi is a star himself.”

Goutam, who has previously appeared in Srijit Mukherji’s Bengali film, Baishe Srabon and Chotushkone, reveals his scenes are with Ishaan Khatter and Malvika Raaj. “I was prepping for my Hindi-English-Italian trilingual whose working title is Lala and has a mix of Indian and Italian actors. We’re looking for a 12-year-old Indian boy to play the lead. Meanwhile, Majidi’s casting director, Honey Trehan, suggested I do this small but significant role in Beyond The Clouds. I was in Mumbai and it is a Majidi film, so I came on board,” he signs off.

Karanvir Bohra has a near-fatal accident

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Natasha Coutinho (MUMBAI MIRROR; March 8, 2017)

Actor Karanvir Bohra, currently seen in Naagin 2, met with an accident on Tuesday when he was on his way to Bhuj to shoot a song for his upcoming film Hume Tum Se Pyar Kitna. It happened around 7 am near Bharuch in Gujarat when a speeding truck coming from the opposite direction caused their car to lose control.

Actress Priya Banerjee and Karanvir’s sister, Meenakshi, were travelling with him. The trio escaped with minor injuries but a shaken Karanvir has cancelled this shoot and is returning to Mumbai.

Speaking to Mirror the actor said, “It all happened in a fraction of a second. We managed to swerve to the right on to the pavement in an attempt to avoid the truck and hit a lamppost. The car is completely smashed and it’s a miracle we survived. We were going to be in Bhuj for four days. We are planning to go back next week.”

John Abraham, Tamannaah Bhatia in Chor Nikal Ke Bhaaga

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Avinash Lohana (MUMBAI MIRROR; March 8, 2017)

After Nishikant Kamat’s Rocky Handsome, Rohit Dhawan’s Dishoom and Abhinay Deo’s Force 2, John Abraham will now play a cop in another action-packed thriller. Tentatively titled Chor Nikal Ke Bhaaga, it will also feature Tamannaah Bhatia who plays an air hostess. It will be directed by Amar Kaushik, who was an associate director on Raj Kumar Gupta’s films, No One Killed Jessica and Ghanchakkar.

“Tamannaah is not romantically linked with John but with another protagonist. It’s a challenging role and will involve lots of mind games,” confirms Prerna Arora who is producing the film with John, Arjun N Kapoor and Raj Kumar Gupta.

Tamannaah is also set to feature in SS Rajamouli’s upcoming epic extravaganza Bahubali 2 with Prabhas and Rana Daggubati.

Rajkot producers move court after Rajkumar Santoshi's cheques bounce

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However, filmmaker calls the Jethanis “publicity hungry” and vows to make them pay
Sanyukta Iyer (MUMBAI MIRROR; March 8, 2017)


Rajkumar Santoshi’s comeback plans have hit another roadblock and this one has dragged him to court. The filmmaker has been charged under Section 138 of the Negotiable Instruments Act, 1881 after a cheque of Rs 17,50,000 bounced and an arrest warrant was issued against him on January 17. The Rajkot magistrate court has granted him bail for a surety of Rs 25,000 in the cheque bounce case on March 4. He was made to wait in court for the entire day and was warned against persistently failing to appear in court before this despite summons. Additional Chief Judicial Magistrate, KD Parmar, has warned him to “remain present in person or through his advocate henceforth, failing which, surety will be forfeited”. Santoshi will now have to appear in court for the first hearing on April 1.

In 2013, a complaint was filed by the real estate barons-turned-producers, Dhanraj and Anil Jethani, who had last co-produced the 2013-film Ankur Arora Murder Case. The father-son duo claims that the filmmaker met them that year to discuss a film with a budget of approximately Rs 1.50 crore. The project didn’t materialise and over the next year, the Jethanis claim, Santoshi presented them with multiple cheques, one amounting to Rs 17,50,000. All of which bounced.

“I sent him several legal notices which he did not respond to and after a while even stopped answering my calls as well,” Anil Jethani told Mirror, adding that the case was transferred from Rajkot to Mumbai and back to Rajkot, which explains the delay. “A magistrate court in Mumbai issued a warrant against Santoshi in 2015. He was to appear in court but failed to do so. I was then asked to transfer the case back to Rajkot where the initial transactions had taken place.” All through 2016, Santoshi failed to turn up for hearings and appeared only after a non-bailable warrant was issued against him on January 17.

When contacted Rajkumar Santoshi called the Jethanis “publicity hungry liars” and denied having taken even a rupee from them. “Anil Jethani comes to Mumbai to party, picking up young starlets for his films. He is sleazy and what he is claiming is untrue. My lawyers are replying to him with a legal notice and we are going to challenge him in court. He will be the one paying for this,” he ranted saying the Jethanis are trying to get publicity using his name. “The matter is subjudiced, so why is Jethani talking to the media? He has no credentials and agreements with me and only wants to tarnish my reputation. I have refused to attend his functions and parties in the past. Why would I ever associate with such people?”

Gurmeet Choudhary to launch self-defence app for women

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Actor to guide female users and fans in basic martial arts techniques
Manishaa R (DNA; March 8, 2017)

Gurmeet Choudhary will launch a self-defense app exclusively for women in distress. The actor dedicated the app to his female fans and said, “I’m advocating safety through martial arts. I want to ensure that they take positive steps to protect themselves when caught in tricky situations.”

He admits it was the rising incidents of crime against women that prompted him to come up with the idea. “We all know what happened during New Year’s Eve when young girls were mocked at, molested and abused at public places. I was shocked and saddened by the plight of those defenseless young girls,” he said.

The decision to launch such an app came about when he met a group of young girls and social activists while on a visit to Hyderabad, “They were aware that I had a fan base of young girls and that I was well-versed in martial arts. They were researching on the topic and looking for various measures to curb the rising crime rate against young girls,” he revealed.

He demonstrated some basic self-defense techniques that young girls could use when caught in difficult situations, “I further suggested that we come out with this interactive app, whereby I could demonstrate these techniques, where young girls could easily react if someone tried to grip their hand, hold their neck, attack them from behind or tried to snatch their wallet. They could learn all this sitting in the comfort of their homes. These techniques are taught to every girl in China in their schools, but unfortunately in India, we have no such education,” he said.

The actor has begun shooting for the app and plans to release it within a month, “I want all my female fans to avail of it. I want them to stand strong and confident, ready to take on the world,” he said.

All for women
Last month, Gurmeet visited the CISF headquarters in Mumbai and spent time with the jawans, highlighting the issue of women safety. A couple of days ago, he and his wife Debina Bonnerjee announced their decision to adopt two orphaned girls from Patna, after which they pledged to take complete responsibility for their education and well-being.

There is no official ban on Pak artistes-Mahesh Bhatt on Shafqat Amanat Ali singing for his play

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Divya Kaushik (BOMBAY TIMES; March 8, 2017)

After last year's Uri attack, the MNS had asked all Pakistani artistes to leave India. Since then, no artiste from Pakistan has performed in India. Now, Mahesh Bhatt has approached singer Shafqat Amanat Ali to sing for his upcoming play Milne Do, which will be staged in Mumbai in June. Sources say that Ali Zafar was also approached by Bhatt for the play. Though Shafqat won't come to India for the play, and will be recording in Pakistan, this is the first instance since the ban when a Pakistani artiste will be a part of an Indian project. To be staged in Mumbai and Delhi in June, Bhatt says that the play is on “cross border peace and is an initiative to revive the cultural ties that were completely eroded after the extreme positions, decisions taken by both countries post the Uri attack.“

THERE HAVE BEEN OFFERS FOR VARIOUS SHOWS AND MOVIE SONGS FROM INDIA: SHAFQAT
Shafqat, who will sing a song for the play, tells us from Pakistan, “Bhatt saab got in touch with me two weeks ago. The reason for saying yes to it is very simple. It's a project on peace. There are differences between the two countries which have caused a rift and that needs to be ironed out. This project is a step in that direction. Due to my tight schedule, I won't be travelling to India and will be recording in Pakistan.“

Shafqat adds that small steps taken by both countries indicate a positive change. “The ban on Indian films has been lifted in Pakistan and people here watched Kaabil, Raees and a couple of other movies very enthusiastically. My song for Bhatt saab's project is another step in the direction of bringing things back to normal. I have also got offers for shows and movies from India,“ says Shafqat, who is still not sure if the time is right for artistes to travel between the two countries.

“Artistes are affected by political conditions. We also have to keep in mind the security of not just our teams, but also of our fans who come to watch our shows. One irresponsible act by those who don't want the cultural exchange to happen can jeopardize the safety of thousands of people. I believe that breaking the cultural bond will only cause more harm, as these exchanges are much needed for people to move forward towards peace. So I am open to performing in India, as long as it's in the positive spirit,“ adds the singer.

INDIAN GOVERNMENT NEVER BANNED PAKISTANI ARTISTES, WHY SHOULD WE?: MAHESH BHATT
Bhatt, who has always been against the ban on Pakistani artistes in India, says it is high time efforts are made to revive cultural ties. “The Indian government never outlawed Pakistani nationals, so there is no official ban on them. After the Uri attack, the relationship between the two countries took an extreme turn. As storytellers, we should bring people together and create empathy, and that is what we are trying to do with this play. Iranian filmmaker Asghar Farhadi, who recently won an Oscar, said a very important and brave thing - 'Dividing the world into the 'us' and 'our enemies' creates fear, a deceitful justification for aggression and war',“ he says.

YOU CAN'T HAVE PAKISTAN EXPORTING TERROR AND INDIA IMPORTING THEIR TALENT: BJP SPOKESPERSON SHAINA NC
Bhatt's decision of roping in Shafqat has already invited criticism. BJP spokesperson Shaina NC says, “Peace initiatives are a good idea, but when cross-border terrorism continues to exist, we can't have Pakistan exporting terror and India importing their talent. There can't be selective isolation - cultural ties can't be viewed in isolation while ignoring the rest.“
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With inputs from Ranjit Kumar

Don't expect anything from men. Women have to help themselves-Shoojit Sircar

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As told to Lasyapriya Sundaram (BOMBAY TIMES; March 8, 2017)

Shoojit Sircar, the director of the National Award-winning film Vicky Donor, the critically acclaimed female protagonist-driven drama Piku and producer of last year's sleeper hit, Pink, which addressed the debate on women's consent, spoke to BT about how today's film sets have increasingly become a space where women's presence is at par with men's. He also mused on how the workspace today is female-friendly. He reiterated the fact that #noconditionsapply for women either in front of the camera or behind it, throughout this chat.

“I TRUST A TEAM OF WOMEN CREW MEMBERS MORE THAN A TEAM OF MALE CREW MEMBERS“
I joined the film industry in 2001 and at that time, there was only one female assistant director who worked with me. Today, almost all my assistants are women. Most importantly, key departments which were previously male-dominated, are now being handled and headed by women. These include, scriptwriting, art direction, editing, make-up, costume design and production. The last decade has seen a sea change in the industry towards a more gender inclusive workspace. Personally, I trust a team of female crew members more than a team of male crew members. I can exit the set and leave it to my team of women crew members to get the job done. I can completely depend on them.

“CREDIT FOR INITIATING CHANGE GOES TO WOMEN“
Women have initiated the change all by themselves. The credit goes to them. Men have had no role to play in the rise in women's representation on a film set. Women have shown the willingness, the courage and have shouldered the responsibility of letting their talent speak for themselves. Equal representation of both sexes has also been encouraged due to awareness in the digital age. Men have realised that when it comes to the workplace, both the sexes have equal stake because jobs are given based on talent and skill. Skill is of utmost importance. Women have shown their skills and that's why they have been accepted in the industry. It's through their skill that they have managed to make a mark for themselves and also earned respect. Also, one needs to keep in mind that filmmaking is a creative medium and the vision may differ based on gender, but the opportunities are equal for both.

“SPOT BOYS AND LIGHTMEN HAVE BEEN WAY MORE ACCEPTING OF THE CHANGE“
As far as accepting the influx of women on sets is concerned, spot boys and lightmen, who come from a far less economically privileged background, have been way more accepting, than the more 'aware' people. I have set designers, who tell their workers exactly what to do and they have had no qualms in taking orders from a woman or having a lady at the helm of affairs. They seem to be pretty cool about it!

“PAY DISPARITY IS SLOWLY BEING BRIDGED“
While female actors might be paid less than their male counterparts when it comes to being in front of the camera, behind the scenes, the scenario is completely different. When it comes to technical jobs, both men and women are paid equally. In fact for Piku, Deepika Padukone was the highest paid actor as she was the film's leading lady and this is a fact, which has been reiterated by Amitabh Bachchan himself.

Anarkali Of Arrah hasn't been certified. So how can censored scenes get leaked?-Pahlaj Nihalani

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Subhash K Jha (DNA; March 8, 2017)

Pahlaj Nihalani, the chairperson of the CBFC (Central Board Of Film Certification), is livid at the insinuation that ‘censored scenes’ from a forthcoming film Anarkali Of Arrah (AOA) have been leaked online.

Says Nihalani angrily, “The film has not been censored or certified as yet. We haven’t made any cuts in any film of this name. So where is the question of ‘censored’ scenes being leaked?”

The censor chief cautions filmmakers against using the CBFC’s name unnecessarily. “I call this cost-effective publicity. You make a small-budget film, which needs to get noticed. You concoct censor problems for the film, where there is none. You get loads of media coverage as soon as you speak of your film being banned by the censor board.”

The CBFC now intends to take serious note of films that claim censor hurdles where there are none. “We are tired of our name being dragged down for publicity. You please make your film about Anarkali from Arrah, Chapra, Rohtak or Rai Bareilly. The CBFC has no interest in playing the party-pooper. If a filmmaker wants to use the CBFC’s name for publicity he will have to substantiate his allegations. Aise hi Facebook ya Twitter pe gaali dena nahin chalega (just abusing on social networks won’t do)”.

Deepika Padukone's ad campaign for soap brand inspired by her own persona?

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Upala KBR (DNA; March 8, 2017)

Deepika Padukone has always been a champion for creating awareness for women-oriented issues. Her persona has inspired her latest campaign for a soap brand she endorses. She recently shot for it at Mumbai’s Filmcity.

Says a source, “The core idea is that even though she is an extremely established and successful actor she is so grounded, despite her fame and stardom. She treats her staff as equals and doesn’t differentiate between the men and women in her team. The creative team sketched this concept after interacting with her. They conducted a session with Deepika and came out with this particular thought as their pitch for the campaign.”

The brand has earlier shot with top actresses in every decade.

During Badrinath Ki Dulhania, I realised that there is a little bit of chauvinism in me, too-Varun Dhawan

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Madhureeta Mukherjee (BOMBAY TIMES; March 8, 2017)

He can play the average Joe on screen, the lover boy, a bloody killer and even a tapori grooving to Tamma Tamma Again - all with terrific confidence. But there is nothing average about Varun Dhawan. His chocolate-boy charisma melts into every role he plays and at the BO, he's the student who never fails to top the class and bag the medals. All this, while wearing his heart on his sleeve and sweeping lovely ladies off their pretty feet. Now that's what we call an all-rounder in school, isn't it? With his next, Badrinath Ki Dulhania, on the verge of release, Varun talks to us about male chauvinism, live-in relationships and how he will do what it takes to surprise us. Atta boy!

This is the third time you are working with Alia. Over the years, have you seen a significant change in her, personally and professionally?
Yes, we react very differently to each other and I think that change happened during Humpty Sharma Ki Dulhania. Honestly, during Student Of The Year (SOTY), I was a little scared. Alia has always been a fearless actor; whether she is performing good or bad, she's fearless. During our debut film (SOTY), we were all in awe about entering the film industry, as rarely do actors get such a big launch pad. I think Alia has made the most of her life. After SOTY, I have gone down my path and Sidharth (Malhotra) has gone down his. Alia and I too went different ways in life and also as far as our choices of films goes. Hence, we didn't end up meeting much. After so many years, it's all kind of a comeback. We watch each other's films and I think that her breakdown scene in Udta Punjab is one her best performances so far. I know her so well that sometimes, it is difficult for me to get impressed by her.

Has your friendship grown stronger? Would you be the shoulder she could cry on and vice-versa?
Definitely. She can cry on my shoulders if she ever wants to, though we are not what you typically call 4 am friends. But yes, she vents out with me whenever she wants to.



Recently, Shah Rukh Khan praised Alia, also adding that she's done too much too soon. Have you ever felt that you need to slow down?
It might sound chauvinistic, but the Indian audience views heroes and heroines very differently. When a film fails, the lead actor is always blamed for it. The industry, trade and the audience does this. So, as an actor, it is very important to do roles that you enjoy, but at the same time give the audience what they want. When you talk about big-business films, they reach out to an entire country and there's a reason why those heroes are managing to do that. They are not making films just to please social media, and this is something I have been vocal about because I strongly believe in it. What really works or doesn't is something you learn along the way. As a kid, I have seen my father struggle and those memories are still buried somewhere in my head. I vividly remember the times when my dad wasn't doing well and my mom telling me that we couldn't afford certain things, so I had to go easy and take a backseat. I have had friends who were really rich and the kind of environment that I grew up in, these kids were brought up slightly differently. I am not an actor's son; I am a director's son. I am not saying this for any sympathy. I had a great childhood, and I am grateful that I got to see both sides of life. So, now, I think I need to do more, as there are so many kinds of films that I want to do.

But you are still far more privileged, right? So many people wouldn't view your experiences as struggles...
Well yeah, I guess my struggles are different. Like it's taken me a lot of time to sit in this fancy hotel and do an interview. It has taken a lot of effort, time and years to come this far. We all have our personal everyday struggles, yaar. I am giving this all that I have. I will be very honest... I am not in this profession for money. I am doing this only for passion. I worship cinema. Whatever I have got today is because of cinema. So, I want to make good cinema and I want to contribute to art in some way. And when you speak of struggle, I had auditioned a lot; I didn't walk into all my roles. I interned with a production company, I have taken acting classes where every day we would wake up at 6 am and come home at wee hours.

You have been an assistant director; you understand the filmmaking process and all that goes into it beyond facing the camera. Do you think that the kind of films we make and the way we make it needs to change or be tweaked, so that we are at par with international cinema?
I think the idea is to merge both the worlds. Somewhere, the treatment of commercial cinema has to change. In 2017, it cannot be treated the same way it was treated in the 90s. The language, the stories, cannot be the same. It has to evolve. The way it is presented has to change. For example, shooting ABCD 2 in 3D was a conscious decision, because we wanted to make a dance-film that left an impact. Even emotion-wise, you can't do melodrama now. I think that's the USP of Badrinath Ki Dulhania and it's because we have a director like Shashank Khaitan. He is from a small town, so he's able to capture the pulse of it, yet his sensibility is such that he can make the film extravagantly. Karan (Johar) says that this is Dharma's Rajshri (Sooraj Barjatya's banner) film. I would t say that this is not a Dharma love story and I can give you 10 examples of why it isn't. Most big-banner love stories today have urban plots, but this is based in the heartland of India and the problems that Indians face. There's a big part about male chauvinism and double standards in our society. The story that Shashank came up with, stems from the incidents in his life. While shooting for the film, I realised that there is a little bit of chauvinism in me, too. Like when I read some dialogues, I thought... 'Are you serious, ladki ko kyun bura lagega iss baat se?' And there were other girls who were like, 'You really you think that way?' Not just me, I guess every man in our unit realised that subconsciously, we all are a little chauvinistic. But having realised it, that part of me will change.

Does the unpredictability of stardom ever scare you?
I don't take the audience for granted, I don't take my fans for granted and I don't take my talent or granted. I am very realistic about myself. In fact, I often underestimate myself. I won't name the films, but I think after my last couple of films, I felt that my audience was telling me to do something different. I have never worked with Aditya Chopra, but after every film, he sends me a message with his feedback, and recently, after a film of mine, he said, “I want you to surprise me.“ I think he is right when he says that.

While you carry the badge of being a bankable actor, it also comes with the downside that you tend to get offered roles similar to your previous ones just because they worked...
I have to do films that get offered to me, I can't say I want to do this or that. I have heard a lot of scripts and somewhere, I thought those films won't work; it might work for 10 people, but I don't want to do films for just 10 people. Very often, people tell me how I should do films like Badlapur, but Sriram Raghavan (director) had that script at that time and it just fell into place. I obviously have to set a certain benchmark in my career to go all out and do just what I want to do. I don't want to burn people's money for the sake of experimenting. I have a responsibility towards the audience and the producers who are putting their money in my film. And, even if I want to do something very different, my responsibility is to make that film work at the box office. Yes, I agree that I can't settle in one genre. I like different genres, like I would love to do an animated film at some point, but then again, I should be confident that it will work.

Comedy is considered a difficult genre, Main Tera Hero was your second film and I believe that you were told that it was a risky choice. But it worked and now, you are doing Judwaa 2. Did the fact that both these films were directed by your dad (David Dhawan), give you the confidence?
Frankly, I sometimes feel I am the only person who is doing something new. Tell me, who else is doing comedy? Akshay Kumar is the only actor, who is actually doing comedy today. I don't think we can think of one young actor who is doing it. I am not saying that is good or bad, they are doing great things that they think is right and I am drawn to the kind of films I like doing. But making people laugh is a gift and getting it right is tough. Yes, I am very nervous about Judwaa 2 as there's so much hype around it already. Somewhere, there's a tapori hidden in me. I have certain characteristics and that's probably because of the films that I grew up watching.

Do you think that the concept of marriage and love has changed? Do you believe in the institution of marriage?
Definitely! It is very different now. We discuss so much about live-in relationships and all that. Love is love. Marriage is some thing that cements people's love and you should do it only if you want to, not because you are forced to. Yes, I believe in the institution of marriage and I feel that it totally works.

What about live-in relationships?
I believe in it, but I don't think I have the time to be in one. Most of the time, I am living out of hotel rooms. So, I don't know where I would have a live-in relationship (laughs!). I need to start living at home first.

Amongst your peers Ranbir Kapoor, Ranveer Singh, Arjun Kapoor and Sidharth Malhotra, who do you think will bite the dust first?
I think maybe Ranveer will settle down the fastest. I guess the naughtiest ones always go first.


Why should a woman pay the price for being what she wants to be?-Priyanka Chopra

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BOMBAY TIMES (March 8, 2017)

Breaking norms is seceasyond nature for her. She hasn't had it, ever, but who said the road to success is an easy ride home. While keeping the nation's flag flying high in another country, Priyanka Chopra speaks on the International Women's Day, offering her point of view on why we should all be the women we want to be...

WHAT #NOCONDITIONSAPPLY MEANS TO ME
It starts with a bigger conversation around feminism, which is about making decisions for ourselves without being judged, and with the same freedom that men have enjoyed for so many years. And just like men, no condition should be placed on women before letting them make their own decisions. It's the freedom to be who you want to be despite the gender. Be the person you want to be...bina sharton ke.

BEING THE WOMAN YOU WANT TO BE
I don't walk around with a mashaal saying that life should be a war. But no conditions must be placed on any human being that stops them from being who they want to be. This applies to girls in India, too. It's a small percentage of women, who are privileged to not have conditions placed on them. I'm grateful that I am in that lot. When I think about being the woman I want to be, I just want to be the best version of myself. And I use every opportunity that comes my way in that direction. I want all the girls without an exception to have that space for themselves where they have ample opportunities to be the women they wish to be.

SOCIETY'S THINKING NEEDS TO CHANGE
It is unfortunate that we're discussing the price women pay to have their way in life. I've seen this in other parts of the world, too - women have to pay a price for whatever they want to do. I don't think that women have to or they must pay a price to follow their heart and mind. We shouldn't create such norms for anyone. Why should she pay a price? It's a freedom that we, as mothers, sisters, daughters and achievers of this country, have and must enjoy. I'm progressive about this. I want to educate people that women shouldn't have to pay a price to begin with. That is an important debate to have. It's not the right thinking. It's not okay, even though it happens too often around all of us.

THE ROAD TO ACHIEVEMENT IS NOT EASY
A career in any field that sees success or records moments of triumph and glory, will have its fair share of ups and downs. You just have to believe in yourself throughout. That's the key. Miss India and Miss World kick-started my journey into show business. I wouldn't have been here had these key events not happened, as I was pursuing engineering. Andaz was one of my breakthroughs. Fashion and Aitraaz positioned me and helped me evolve as an actor and eventually, I played a gamut of incredible characters. So, it's a career, and it will have its highs and lows. You have to accept everything and keep going.

DON'T LET THE LOSSES GET THE BETTER OF YOU
I don't think I emerged stronger from my personal losses. I just made peace with them. Grief is my companion now. There are some voids that cannot be fulfilled. You have to move around, knowing that a piece of your heart is gone forever. That's the way I see it. I accepted that grief will be with me all my life. As soon as you accept it, you can start focusing on life. My grief and I hang around together. It's my friend now.

DON'T CARE FOR DETRACTORS
I am never aware of what people say or write about me. My career is just for me. I don't give 'opinions' any importance since I don't pay heed to them to begin with. Your career decisions should be your own, not pulled out of what someone else thinks is great for you. I've never paid heed to my detractors. Who are these people and what are their achievements that they sit at home and talk about others? There will be haters everywhere you go. There will be that tiny group of people who love to tear off anyone in the spotlight. I don't give them credence. I walk a lone journey and make my own decisions with my family and dear ones by my side.

MY WORD IS MY BOND
It was a scary idea to take up an international TV show because I didn't know how it would all fall into place. But what was perhaps more difficult or me was to live in another country and start afresh. Living alone, away from family and creating a brand new world around me was tough. It was difficult shuttling industries in India and America. The magnitude of multi-tasking was something else. But when I commit, I don't let anyone down. My word is my bond. That's the way to be in any profession or any space in your life. Don't let your word go empty.

SCRUTINY? NEVER MATTERS
I am used to scrutiny as a public figure though it's never been important for me. Women everywhere are scrutinized, but that shouldn't be given any credence. When I made my first international award show appearance, I was nervous about putting my best foot forward as I was representing a nation and an industry that made me who I am. I had to be the best that I can be. I was a bundle of nerves at the Oscars when I presented for the first time. This year, it was a lot more comfortable and easy.

HAVE AN OPINION, WILL VOICE IT TOO!
It is a dichotomy that we live in. The world tilts towards the male ideology. It is harder for women to prove their worth here. I have been told by people that I am too outspoken. I should step back because it's good for me as a girl. It's the advice people give you. But my parents always taught me to have an opinion and follow my instinct. They showed tremendous faith in our upbringing. A lot of girls don't get that kind of support and I hope to fight for girls who need it. Life is hard for everyone. Each one has trials to go through. You can either become cynical or focus on positivity and its acceptance - women can become achievers either way; whatever motivates them to work twice as hard as a guy and prove their worth. The steps that I take today, the field that we plough today, will create a better ground for the next generation of women. They wouldn't have to go through what we went through. Only then, will we make a difference.

Salman Khan & Sonakshi Sinha to perform in Australia, New Zealand for Da-Bang concert tour

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Sanyukta Iyer (MUMBAI MIRROR; March 8, 2017)

Even before Dabangg 3 goes on the floors, Pandeyji and his Rajjo will be coming together five years after the second instalment of the hit franchise in 2012, to set the stage on fire. A special song-and-dance act has been choreographed for the duo’s Da-Bang concert tour which will take place in April in Australia and New Zealand.

“Words cannot describe how special Dabangg is for me and I absolutely love live performances because of the energy of the audience. It’s an opportunity to take Dabangg international and I’m looking forward to it,” Sonakshi told Mirror, adding that she’s hoping that the show will be as grand as that of her favourite international artistes, Beyoncé and Justin Bieber. Curated by Chocolate Room’s Yaju Vaghela and Cinestar’s Yogesh Sharma, the duo is going to perform to their hit tracks as well as perform a “thrilling” sequence.

Sonakshi had last visited Sydney to attend one of her closest friend’s beach wedding. “I have special memories of the beaches in Oz and now, I’ll be performing there so it’s time to get nostalgic,” she beams.

The actress admits that there is no other leading lady who can play Rajjo in the Dabangg franchise, and even if there’s a fourth and fifth instalment, she’ll be Salman’s only biwi. “Dabangg is my debut film. I love Rajjo and Chulbul Pandey’s love story and if the script continues to have Rajjo, you can be assured that nobody but me will play the part,” she asserts.

I find women more sexist than men in the film industry-Sonam Kapoor

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AFTERhrs Guest Editor on Women’s Day, Sonam Kapoor says it like she sees it
Upala KBR (DNA; Match 8, 2017)

It’s International Women’s Day and Sonam Kapoor takes the chair as the guest editor for the day. After a tour of the office and a few photographs, she settles down to answer a few rounds of questions. Over the course of an hour, one sees opinions change about her. She comes across a certain way, but those who know her well, know that she calls a spade a spade, works in the industry for the roles and not the money. She works with passion and takes up causes as passionately. She’s an animal activist with liberal views. She’s a non-judgmental feminist, to boot, and believes in inherently giving women the right to make informed choices. Here’s what she had to say about a variety of topics...

What kind of stories do you like to read in the papers?
I don’t open newspapers anymore as everything is available online now. I love reading opinion pieces a lot, columns and articles about what’s going on. All the so-called relevant news is now very easy to find all over social media, so they are the headlines of what’s going on in India, Mumbai or the world.

(Sonam picks up a copy of AFTERhrs and asks what the story on the front page is about) Ayesha and Krishna Shroff taking up for Tiger after Ram Gopal Varma passed unsavory remarks on him on Twitter.
(Laughs) They should be happy that Ramu doesn’t like Tiger. Whoever Ramu doesn’t like, does very well. I am very happy. I like Tiger. He’s very cool and least bothered. He is very well-behaved and performs so beautifully. I saw him performing recently at an awards event and he did such a good job. It was a pleasure to watch. I just haven’t had the chance to watch his performance, except for his first film, but whatever I see him at events and parties, I find the way he conducts himself very dignified. (Scans through to the back page)

Oh! There’s a Sonam vs Deepika article (We explain it’s about the outfits both wore and got criticised for and how both reacted to the criticism).

I was wearing a low dress and when dancing, it moved. Three of the photogs went behind and started taking pics sideways. When someone alerted me, I adjusted my dress, but those pics were already circulated. I was wearing correct innerwear, so nothing bad happened. They made it into such a big deal on social media! I was like, ‘God! So what I am wearing is so important!’ Of course, what I wear has always been discussed…

Your take on slut-shaming or body shaming or even shaming through fashion…
I have gotten all kinds of shaming. It’s very bad...

Are there any issues about women that need to be addressed — like women not being allowed to enter temples during menstruation?
How would anybody know that you are having your periods when you are going to a temple? I don’t know about religious reasons or practical reasons, but I feel everybody should have the choice. If somebody does not want to do something, you can’t say, ‘No, it’s okay for you to do it’. A lot of times, I have been judgmental about women who don’t do something I believe in and called them old-fashioned. But we shouldn’t judge other people for being different. A person should be given a choice and that’s the most empowering thing. Being in a burkha is as much your choice as much as not wearing one. You want to go into a temple, when you are menstruating, that’s your choice. If you don’t want to go in, that’s your choice. You have to make an informed decision. That’s what my parents did with me. They would always say these are the repercussions of what you are doing — these are the good and bad things.

Please continue...
I don’t believe in censorship in films, but there can be ratings to say this is appropriate for children. And restrictions like consuming alcohol at 25 or getting married at 18. I don’t drink, but it’s my choice, right? I am a vegetarian, but I spoke up against the beef ban because I felt you should be given a choice. Even though I truly believe that eating beef is bad for your system as red meat is unhealthy. I would campaign for vegetarianism, but I would never say you can’t have meat.

What do you think about freedom of expression for women? This is with reference to Gurmehar Kaur.
It was her dad, her opinion and a very compassionate way of looking at things. To not blame anybody and not have any resentment makes you a sensitive and evolved human being and if someone can’t see that, it’s disgusting. And if an artiste can’t see that, it’s even worse. I can understand a right-wing person commenting on it, but not an actor. It’s very ignorant and narrow-minded. As an artiste, you have to be sensitive — it’s a girl talking about her father. She’s not making a political statement and blaming anybody. She blames war. We are a country that won our independence through satyagraha (non-violence), and you are saying that it is okay to conduct war? We are the only country in the world that has not invaded another country, so how can you propagate the opposite when somebody is standing up for our belief system and says it’s war and violence that causes deaths, not a certain religious sentiment or a certain country. We should be applauding this, not criticising her for it.

Do you feel sexism exists in Bollywood?
Sexism exists everywhere, even though there are mostly women in this office right now (laughs) and your boss is a woman! You get judged for your clothes and makeup. How you dress, should not be a criterion. They can judge you as a professional on whether you can lead your team or not, or do your job or not. Why do people feel that when women get pregnant, they won’t be able to perform better? Pregnancy is not an illness. They also say, ‘Oh, she’s PMSing.’ I feel men PMS more than women most of the time. I can’t even understand most of the time what they are going through. Sexism is not just in the Indian film industry. It exists in the corporate jobs, media and households. My friend tells me his wife can’t handle money. Girls are bad drivers, they only like to shop. In my house, my dad likes to shop a lot and my mom handles the money. There’s a preconceived notion and I have gone through my own ideas of what people thought I was or still think I am because I like to dress in a certain way and I like to look pretty, or I am Anil Kapoor’s daughter or I am born with a silver spoon. As human beings, we need to break these preconceived notions based on someone who looks a certain way, or is a certain size. Never judge a book by its cover.

I have heard from actresses how the actors get better hotels to stay in, and their pay scales are higher, etc…
Yes, it exists a lot in the film industry. Earlier, I used to judge actresses, when they said, I am not getting enough money, and I’d say why the f**k are you doing it then? Don’t do it. But then I realised that I am in a position where I can say no to jobs. I can sit at home for a year. I have the luxury of choice, but a lot of women don’t. Actresses in successful position can say ‘If you are going to treat me badly, I won’t work with you.’ I made that choice and I took a year-and-a-half off after Mausam. I had a great time in Mausam because Pankajji knows how to treat people. But before that, I wasn’t treated right and I would wonder, ‘Why is so-and-so staying in this hotel and why am I staying in this hotel?’ or ‘Why is so-and-so getting paid this much and why am I getting paid this amount?’ All these questions were in my mind and I felt unhappy going to work. I felt like a second-class citizen and I took some time off and decided till I get the kind of work I want to do, till I get that respect, I am not going to work.

What are the things you’ve done differently?
I thought that my life would be harder, but I have not had one flop film after Raanjhanaa. It’s been five years and it’s only gotten better because my decisions have been very idealistic. I have never toed the line. If a director comes to me with a big project and actor, but no script I ask him how do I know what my role is? Why should I do this film? I don’t care if others have done it. Sooraj Barjatya has narrated his entire script to me. Sanjay Leela Bhansali has not once told me you cannot have an opinion. They are the most successful people. Aamir Khan has group screenings for all his films and he asks people to tell him what’s wrong so he can make it better. You should be open to that. Actors say they don’t read reviews. I read every review — so that I can become better. There may be some judgmental people, but I look at even them with an open mind. I never get offended if someone asks me a nasty question. The general perception is that the film industry is sexist but there are only a few people who are and very strangely, it is the women who are more sexist in the film industry.

Do you think actresses should campaign for their rights like they do in Hollywood?
That’s the only way when anything good can happen — when women come together. Unfortunately, in Hollywood also, there’s so much competition and insecurity. It’s more in the Indian film industry, as it’s very campy — there are lots of camps. But I have very good actress friends, Swara Bhaskar and Jacqueline Fernandez — I can trust them with my life. Even Bebo — the kind of love and encouragement she gives me, is incredible. And all of them are super successful and two of them are my contemporaries. So there is that option but there’s also that other side where everybody is at each other’s throat. I just stay away from those people.

Are you happy with the number of women you see on a movie set?
No, there are still not enough women on a film set, it’s still predominantly men. If you go to an airport there is one line for security for women and five lines for men! That poor lady gets exhausted by the end of the day. Come on! What’s going on? There should be equal opportunity for women everywhere.

Kaabil collects 86.50 cr in 5 weeks

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Image result for kaabil
Box Office India Trade Network

KAABIL is coming to end of its run with a few lakhs to come in the next two weeks and has grossed 86.50 crore nett in five weeks. The distributor share of the film is just 41.50 crore which is poor. The film could not stand up to RAEES and has ended with collections which are 42 crore nett lower and that is even though RAEES could not hold well. The business of the film has ended very similar to another release which had a major clash SHIVAAY. That film finished at 84.83 crore but its distributor share was bit higher as its first week single screen business was better especially in Gujarat where it was an extended holiday. The distributor share for SHIVAAY was 42.50 crore apprx. The weekly business of KAABIL is as follows.
Week One  - 65,74,00,000 (nine days)
Week Two  - 16,66,00,000
Week Three - 3,54,00,000
Week Four - 45,00,000
Week Five - 11,00,000
TOTAL - 86,50,00,000

Commando 2 collects 15.50 cr in 4 days; Logan collects 17.75 cr

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Hugh Jackman as Wolverine (L), Vidyut Jammwal (R)
Box Office India Trade Network

COMMANDO 2 (Hindi) had a normal drop on Monday of around 50% but that is not really good enough. The total so far is 15.50 crore nett and the film is probably heading for a first week total of 21 crore nett plus. Then there will be the release of BADRINATH KI DULHANIA which will hit the business of the film badly. A 30 crore nett final result would have been at least respectable for the film but its a tough task with this Monday number. The business of COMMANDO 2 (Hindi) till date is as follows.
Friday - 4,25,00,000
Saturday - 4,00,00,000
Sunday - 5,00,00,000
Monday - 2,25,00,000
TOTAL - 15,50,00,000

Hollywood release LOGAN had a decent hold on Monday dropping less than 50% from Friday. Its probably mot enough to keep the momentum going after the first week due to the competition but the week will finish at 23 crore nett plus and then remains to be seen what happens on the second Friday. The business of LOGAN in its first weekend are as follows.
Friday - 4,25,00,000
Saturday - 5,00,00,000
Sunday - 6,00,00,000
Monday - 2,50,00,000
TOTAL - 17,75,00,000

Priyadarshan to head National Awards jury

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MUMBAI MIRROR (March 9, 2017)

Priyadarshan who will chair the jury of the 64th National Film Awards admits that he's definitely excited and happy. “It's a big responsibility and I will do my best,“ the 60-year-old director said, adding that he is confident of doing the job with ease as he has been around in the industry for 35 years, and has directed 91 films in various languages.

The director himself has an impressive list of National Film Awards in his kitty. In 2007, Kanchivaram was adjudged Best Feature Film. Earlier, his 1996 Malayalam film, Kaalapani which told the story of freedom fighters in the Andaman Jail, bagged three National Awards, including awards for Best Art Direction (Sabu Cyril), Best Special Effects (ST Venky) and Best Cinematography (Santosh Sivan).

Amy Jackson skips exercise, low-cal diet to gain weight for a 'fuller' look in Boogie Man

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Amy Jackson
Mohar Basu (MID-DAY; March 8, 2017)

Don't be surprised if you happen to come across a chubby Amy Jackson in a month from now. The actress is giving up on her diet and workout regime to put on around five to 10 kgs for her next, Boogie Man.

Music video producer and filmmaker Andy Morahan, who offered the project to her at last year's Cannes Film Festival, insisted that Amy put on some weight for a 'fuller' look in keeping with her character, Nimisha.

A source says, "Amy just wrapped up Rajinikanth-starrer 2.0 and will start shooting for Boogie Man in London by mid-April. She had met a nutritionist during her recent visit to London for a fashion week."

The actress is a big foodie and was thrilled about letting go of a strict diet. "The extra pounds don't bother me at all. The only thing that worried me is that I do not put on weight easily. I have not done any of this before and am looking forward to it," she says.

The film traces the story of a British-Indian teen, Pavan, who struggles with his cultural heritage in modern-day London, falling for a white 20-something actress-model during a '70s-themed exhibition. He becomes obsessed with her, the fashion and music of a seemingly glamorous '70s era, while trying to keep his family's traditions intact. Amy will play girlfriend to Pavan's brother.

What Amy now eats
Breakfast: Pancake with honey, bananas, strawberry, omelette, two wheat bread slices, bowl of fresh fruits
Mid-morning snack: Chocolate milkshake, whole wheat sandwich
Lunch: Pizza with tofu topping or spaghetti, strawberry milkshake
Evening snack: Hot milk coffee, whole-wheat cheese sandwich
Dinner: Pasta in red sauce, orange juice, dark chocolate

Sonakshi Sinha reveals dad Shatrughan was first offered the original Ittefaq

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Shatrughan Sinha with daughter Sonakshi
Shaheen Parkar (MID-DAY; March 8, 2017)

Sonakshi Sinha has started shooting for Ittefaq, a remake of BR Chopra's eponymous 1969 production that was directed by Yash Chopra. The film is being helmed by Chopra's grandson, Abhay.

But not many would know that Sonakshi's father, Shatrughan Sinha, was the first choice for the original film, which eventually starred Rajesh Khanna. Shatrughan couldn't take it up due to date issues. Says Sonakshi, "It feels like life has come a full circle. I didn't even know dad was offered Ittefaq till I signed it (the remake)."

Shatrughan is thrilled that his daughter is part of the film. "When he heard about it, he was happy. It's a great role." There's another connect between the Sinhas and BR Chopra's banner. Sonakshi's mother, Poonam's second film as actress, Aadmi Aur Insaan (1969), under the same production.

Poonam Sinha in Sabak (1973); (right) now
When Poonam was Komal

A beauty pageant winner in 1968, Poonam Chandiramani's screen name was Komal. She began her career with the Jeetendra and Mumtaz-starrer Jigri Dost (1969). Her second film, Aadmi Aur Insaan (1969), was a BR Chopra production and was directed by Yash Chopra; it starred Dharmendra, Mumtaz, Saira Banu and Firoz Khan. She did a couple of films in the late '60s and early '70s like Aag Aur Daag (1970) featuring Joy Mukherjee, Sabak (1973) and Shaitaan (1974), both of which starred hubby Shatrughan. Poonam tied the knot with Shotgun in 1980. After a long gap, Ashutosh Gowariker cast her in Jodhaa Akbar (2008).
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