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I did lose out films to star kids...I don’t really hold it against anybody-Angira Dhar

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Actor Angira Dhar says that it does not matter who belongs to which family for as long as you toil hard, you’ll get what you deserve
Titas Chowdhury (HINDUSTAN TIMES; January 8, 2020)

Angira Dhar, who was last seen packing a punch in Commando 3 (2019), says that nepotism doesn’t bog her down and she has had a rather “happy and fruitful journey” in the Hindi film industry without anyone’s help. She says, “I did lose out films to star kids. As an actor, you’ve to be prepared for the extreme highs and lows. Both rejection and acceptance are a part and parcel of our lives. A businessman gives his business to his children, so that they can handle it once he grows up. That’s how it works in every field. I don’t really hold it against anybody.”

She shares that it is talent and intent that’ll drive an actor up the ladder of success and longevity. “If a person is part of a film family, that’s because they were destined to. They get the films that they get because of their lineage or maybe because they’re very talented. If you want to achieve something in life, you’ll have to ensure your intent is right and strong,” the actor explains.

She adds, “It doesn’t matter to me who belongs to which family. I keep my business to myself. I believe that as long as you toil hard, you’ll get what you deserve.”

Angira, who’ll next be seen in Anurag Kashyap’s German-Afghani film titled Talagh, says that she aspires to share screen space with her favourite actor, Shah Rukh Khan, in the future. “I would really love to work with Shah Rukh. I’ve loved him ever since I can remember. He’s the national crush,” she says with a smile. Shedding further light on her bucket list, she says, “I want to work with Ranbir Kapoor, too. Ranveer Singh is one of the finest actors that we have and so I would like to work with him, as well. I would also want to work with Vicky (Kaushal) again. We had a fantastic time working in Love Per Square Foot.”

Raghu Ram and Natalie Di Luccio welcome baby boy; name him Rhythm

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Avinash Lohana (MUMBAI MIRROR; January 8, 2020)

After dating for over a year-and-a-half, Roadies and Splitsvilla creator Raghu Ram and his Canadian singer-girlfriend Natalie Di Luccio tied the knot in Goa in December 2018. In August last year, they announced that they are expecting their first child. On Monday, the couple welcomed a baby boy at a city hospital.

“Relieved,” is the first thing Raghu says when asked about becoming a father. “There are actually many emotions. We had been preparing for this for months. We learned more about pregnancy, child birth and baby care, but none of it really prepares you for parenthood,” Raghu shares, adding that the mother and child are healthy and safe and hailing child-birth as “magical and awe-inspiring”.

He goes on to inform that Natalie opted for a water birth with hypnobirthing techniques “for a beautiful, calm and natural process. As far as the name goes, it was important for the new parents to 'find a multi-cultural, multi-national and multilingual name to reflect our union, so we picked ‘Rhythm’. More importantly, it can’t be linked with any religion,” smiles Raghu.

At home, the baby will be welcomed into a brand-new nursery. “We moved houses the minute we found out about the pregnancy to make room for the baby. Natalie had been obsessively nesting, which also gave her the opportunity to do up the new place; it was completely empty when we moved in. She decorated the nursery with beautiful quotations and messages from my friends on the walls. There are also cute little animals, clouds and stars in the room. It has a beautiful vibe,” Raghu signs off.

Sooraj Barjatya returns to television with a family drama dedicated to dad Rajkumar

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The cast of the show
Shaheen Parkar (MID-DAY; January 8, 2020)

Sooraj BarjatyaAfter Prem Ratan Dhan Paayo (2015), there has been talk that Sooraj Barjatya will team up with his favourite superstar Salman Khan again. Rumours have also been rife about the filmmaker's son, Devaansh, making his directorial debut with a Khan-starrer. In the meantime, the father-son duo has teamed up for a small screen offering, Dadi Amma... Dadi Amma Maan Jaao.

The man behind Bollywood's biggest family dramas — including Hum Saath Saath Hain (1999) and Hum Aapke Hain Koun (1994) — hasn't veered from his staple for the telly outing. The show, which features veteran actors Mohan Joshi and Seema Biswas alongside Sheen Das and Anagha Bhosale, focuses on the relationship children share with their grandparents.

"This show is close to my heart. Its tagline, Pichhatar Saal Ke Bachhe, was coined by my father [Rajkumar Barjatya]," shares Barjatya, who has dedicated the offering to his father. Rajkumar Barjatya passed away in February last year. The show's telecast will coincide with the late veteran filmmaker's first death anniversary. "I have also included a lot of anecdotes from the time I spent with my father, in the show," adds Barjatya, who has previously produced several television series including Pyaar Ka Dard Hai Meetha Meetha Pyaara Pyaara, Piyaa Albela and Ek Rishta Saajhedhari Ka.

At the protests at Carter Road and the Gateway Of India, it felt like old India was alive and well-Swara Bhasker

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Swara Bhasker
As several Bollywood stars join #OccupyGateway and Carter Road protests against JNU attacks, Swara Bhasker reflects on how they expressed dissent through songs and chants
Mohar Basu (MID-DAY; January 8, 2020)

For those who believed Bollywood is happy to play a mute spectator to the nation's goings-on, Monday evening was an eye-opener.

As several actors and directors — including Taapsee Pannu, Richa Chadha, Ali Fazal, Anurag Kashyap, Vikramaditya Motwane, Hansal Mehta, Anubhav Sinha, Zoya Akhtar, Vishal and Rekha Bhardwaj, among others — turned up at Carter Road in Bandra to stand in solidarity with the students of Jawaharlal Nehru University (JNU), it was evident that they will no longer be silenced. Even in the depths of despair, those gathered chose hope and courage, reciting lines from Faiz Ahmed Faiz's Hum dekhenge. As Swanand Kirkire sang his creation, Bawra mann from Hazaron Khwaishein Aisi (2005), he called on everyone to dream for a better world.

Swara Bhasker, whose family was in the JNU campus when masked men attacked students and faculty members on Sunday, told mid-day, "At the protests at Carter Road and the Gateway of India, there was a spirit of fraternity and commitment to our Constitution, which was uplifting. The Indian flag was waving everywhere and strangers were smiling at each other. It felt like old India was alive and well."

The protest, which kicked off at 8 pm, ended almost two hours later — but not before the gathering gave a huge round of applause to the Mumbai Police. It was, however, far from the end of the night for Fazal, Chadha, Sayani Gupta, Shweta Tripathi and rapper husband Chaitanya Sharma. At the stroke of midnight, as the iconic Taj Mahal Palace Hotel glowed in the background, the stars joined the #OccupyGateway protest that has assumed a life of its own since Sunday.

"What you see here are artistes standing up for the value system that they believe in. [The protests] at both venues were beautiful because people were reciting poetry and singing songs. There was no hate or negativity. Like Anubhav Sinha said, this is to reassure the students that we are with them," shared Tripathi.

Fazal chose to convey his feelings through a verse he had penned:

Kuchh chhaatron ne milke ek mulk ko taakat di hai,Hum thhoda baithe, thhoda bole, thhoda suney. Dard bat ta hai toh josh banta hai, aasoon pochhaa toh sir uthhe, Ab nikle hain haath phailaaye, Aao sab aao, chalo galey mil aayein, Tirange se lipat aayein, tirange se lipat jaayein, Hum thhoda baithe, thhoda bole, thhoda suney, Chauraha nazdeek hai, aao gale mil aayein.

B-Town stars including Bhardwaj, Kashyap, Sinha, Mirza, Akhtar and Pannu at Carter Road. Pics/Anurag Ahire

Richa Chadha and Ali Fazal
Richa Chadha and Ali Fazal

Kirkire sings Bawra mann
Kirkire sings Bawra mann

I give Meghna full marks for being socially conscious-Gulzar

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Gulzar approves of his director-daughter’s repertoire of films; believes her new leading lady deserves a National Award
Himesh Mankad (MUMBAI MIRROR; January 8, 2020)

After Filhaal, Just Married, Talvar and Raazi, Gulzar returned to write for filmmaker-daughter Meghna’s upcoming directorial, Chhapaak, which revolves around an acid attack survivor, played by Deepika Padukone. The veteran lyricist has been associated with all films directed by Meghna. “I had chosen her before the script,” he laughs, adding, “I am selective because I want to do new and different things with each project. This (Chhapaak) is one of the most unusual scripts and it was difficult to find situations for songs in the film. But Meghna made it simple with her vision. It wasn’t easy, but the script was inspiring enough.”

As a filmmaker, he approves of Meghna’s repertoire of films. “I give her full marks for being socially conscious. She means to make a statement through her films; one can’t do that without conviction and courage. She has grown relevant with time,” he asserts. Ask him if she has inherited this quality from him and he says, “Conviction can’t be borrowed; it can only germinate from within,” and is quick to add that he doesn’t give creative inputs for her stories either. “She doesn’t let anybody touch her script.”

He is also gung-ho about Meghna’s newest leading lady and her performance in the Fox Star Studios production. “She is superb and deserves a National Award this year,” he smiles. While the common refrain is that the quality of music and lyrics has decidedly deteriorated in Hindi films over the years, Gulzar believes it is just evolving with the times. “We can’t use old language in modern times. Music must change with life; it follows life. If the rhythm has changed, how can the beat be old?” he argues.

It’s the right time for an LGBTQ love story-Ayushmann Khurrana

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Ayushmann Khurrana emphasizes the relevance of his upcoming comedy, reveals his next could be a spy film and says his rise has been more steady than meteoric
Akash Bhatnagar (MUMBAI MIRROR; January 8, 2020)

Ayushmann Khurrana is following up his box-office success of 2019 with another unconventional premise. In debutant director Hitesh Kewalya’s (who had written Part 1) Shubh Mangal Zyada Saavdhan, the actor plays a gay protagonist, a territory few people have explored in Hindi films. “The timing couldn’t be more perfect,” Ayushmann notes, adding, “I believe that India is ready for that character and that kind of cinema. The Supreme Court has legalised same-sex relationships and this is the right time for a love story on the LGBTQ community.”

Ask him what inspires him to seek out unusual stories and the 35-year-old actor says, “Everyone aspires to create a certain space for themselves, and this is mine. It started with Vicky Donor and I am proud to own this space. Whenever someone does a film on taboo or unconventional subjects, people will say, ‘They did a film like Ayushmann’.”

What’s next for him, one wonders, and pat comes the reply, “I am looking forward to being in an action film, which I have never done.” There were reports of him reuniting with his Article 15 director Anubhav Sinha for a spy film. “We are still discussing it and will make an announcement soon,” he says.

Ayushmann received a National Award for Andhadhun last month. Did he think, when he made his debut in 2012, that he’d achieve such a feat? “I was in La La Land after my first film, so I may have believed it. When your first film does well, you think everything will go right. I had a lot of self-confidence and probably a bit of overconfidence as well. But in 2014, I had three unsuccessful films. If someone had told me this then, it would have seemed outlandish. It is at times like this, when you need to recalibrate,” he reflects.

He wouldn’t label his winning streak at the box-office as a meteoric rise. “It was a gradual process in the last three years, starting with Bareilly Ki Barfi and Shubh Mangal Saavdhan. Last year was the best yet, with three different kinds of films doing well. It has been a steady rise. So, it was easy to digest, and I am glad it happened like that,” he explains.

This year, Ayushmann has Gulabo Sitabo with Amitabh Bachchan coming out and he is all praise for his co-star. “He is so intelligent and full of energy even at this age... He comes so prepared that he’ll even know your lines,” the actor raves. He’s also in awe of his wife, Tahira Kashyap, who beat cancer last year. “She is not just a life partner but also a life coach for me. She has inspired me since college days with her creativity and her zest for life. That worked in our favour while battling the illness,” he concludes.

Living this active lifestyle, I feel like I've become five years younger-Varun Dhawan

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Varun Dhawan and the cast of Street Dancer 3D at the rehearsal. Pics/Pradeep Dhivar
Varun Dhawan takes time off Street Dancer 3D's rehearsals to discuss the toil required for him to match professional dancers
Sonia Lulla (MID-DAY; January 8, 2020)

A ketogenic diet prevents one from consuming carbohydrate-rich foods — think about a meal plan that eliminates rice, wheat, breads, and sugar. Intermediate fasting is an eating pattern that requires one to avoid eating for 16 hours straight, permitting food consumption only in the remaining eight-hour window. Individually, both the dietary methods demand a fair amount of mental dedication from an individual willing to give them a try. Imagine our surprise then when Varun Dhawan tells us he's following both, simultaneously.

"But they eat everything, ya! Even rice," he complains childishly, referring to the 20-odd dancers — including Dharmesh Yelande and Salman Yusuff Khan — rehearsing for Street Dancer 3D in a studio, a few feet from us. We've pulled Dhawan out from his practice to ask him how he blends in with dancers who've been practising the art for years. "Since I am not a professional dancer, training with those who are is certainly difficult. While training for our last film, ABCD 2, Shraddha [Kapoor, co-star] and I were given a little extra hand-holding. But, for this film, from day one, we were not given [additional attention]. We were told to rehearse with the team, so that the speed at which we pick up steps improves. Given that we're doing street hip-hop, and new school, the movements are fast [paced]. So learning them fast is [crucial]."

During the shoot schedule that concluded weeks before this interaction, Dhawan says he would couple his dance training and shooting stints with a workout. "There's enough cardiovascular [work] happening through dance, so in the gym, I'd train with weights for 60 to 90 minutes. I've increased the amount of physical training I'm doing, and have specifically started targetting my quadriceps. People who dance need a lot of strength in the leg muscles, so doing that is important," says the actor, who features alongside revered dance groups from across the globe in the third edition of Remo D'Souza's franchise. "Rahul Shetty has choreographed the 10 songs in the film, and groups like [V] Unbeatable and Wild Ripperz [are being featured]. There are troupes from the UK, US, and Germany. I have to say, India's right there among the dancers. We are leading the revolution."

For several months leading up to this meeting in July 2019, Dhawan had been clocking in seven hours a day at dance rehearsals, waking up to messages in the dance troupe's WhatsApp group as they'd decide the day's schedule. "Living this active lifestyle, I feel like I've become five years younger. I'm 32, so doing this is not easy. But, I also have a lot of energy which finds an outlet through a film like this one."

As excited as he is for the new version of Bezubaan that will feature in this edition, Dhawan was also delighted to feature alongside Prabhudheva in Muqabla. So eager was he to share the space with him, that his energetic moves landed him with a tear in his hip flexor. While pulling off another high-octane stunt for the film in London, he also injured his hamstring. "I have to really push myself. Even with injuries, you still have to dance, and return to regular practice. These guys [other dancers] do it all the time. They're making me do a lot of stunts. They call me 'B-Boy Juhu'. I'm training with [calisthenics expert] Kuldeep Shashi [for it], and am doing things I'd never had thought I'd do. There's a stunt in which [I'm thrown] 20 feet in the air, and then they throw a [dancer] from down [towards me]. After Rahul made me do it, I learnt that the original stunt had been performed by a 10-year-old boy. I'm not. That makes a big difference. There's also a massive stunt coming up in the finale. Shraddha too has a lot of stunts."

Varun Dhawan and the cast of Street Dancer 3D at the rehearsal. Pics/Pradeep Dhivar

Varun Dhawan and the cast of Street Dancer 3D at the rehearsal. Pics/Pradeep Dhivar

Salman Khan has become fitter and can do a split more easily-Rakesh Yadav

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Salman Khan coping with back-to-back action films and stiff muscles with kick-boxing, flexibility exercises
Hiren Kotwani (MUMBAI MIRROR; January 8, 2020)

After pumping iron for decades, Salman Khan is venturing beyond the gym to stay fit. The actor’s interest in diversifying his training regimen began with his turn as a wrestler and a mixed martial arts fighter in Ali Abbas Zafar’s 2016 film, Sultan, and with the realisation that an extended period of weight training renders the body slightly stiff.

According to personal trainer Rakesh Yadav, who met the 54-year-old actor a few years ago and is now training him, Salman decided to include kick-boxing in his workout routine for long-term benefits. “The routine comes in handy for Salman as he does a lot of action films which can be tiring. It can also be used as a form of cardio workout,” shares the fitness expert, who also trains Tiger Shroff and Disha Patani in gymnastics, mixed martial arts and parkour.

Besides going to the gym every day, Salman dedicates two hours to flexibility and kickboxing three times a week in the evening at his Bandra residence. “It’s not unusual for someone to take a break after a month or few, but Salman sir keeps pushing and stretching himself. Initially, it was difficult, but after months of adapting to his new regimen, he has become fitter and can do a split more easily,” Rakesh reveals.

He goes on to share that Salman has particularly taken to kicks with jumps and turns. “He also recommended me to Katrina (Kaif) to help her prep for Tiger Zinda Hai and to Jacqueline Fernandez and Daisy Shah for their sequences in Race 3,” he informs.

I do not have any set, rigid formula-Katrina Kaif

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The actor is ‘extremely grateful’ and feels ‘blessed’ for the love she gets from audiences. Says her Bollywood journey, so far, has been incredible
Prashant Singh (HINDUSTAN TIMES; January 8, 2020)

Back in 2005, when she tasted her first big commercial success [with Maine Pyaar Kyun Kiya?], not many must have imagined that Katrina Kaif would go on to become a household name for the next 15 years (and counting). But she kept moving ahead rapidly while also proving her naysayers wrong. And now, as the actor readies for a busy new year — with Rohit Shetty’s Sooryavanshi co-starring Akshay Kumar lined up next — the actor is gung-ho. “This year is going to be an exciting one with a variety of films and genres that I would be dabbling in,” says Katrina. Excerpts from an interview:

You complete 15 years in Bollywood in 2020 since your breakthrough film, Maine Pyaar Kyun Kiya. How does it feel to continue receiving so much love from the audience?
Acting in movies has given me an incredible amount of satisfaction. For me, the most wonderful place to be in is on a film set, and that’s primarily because I just love the process of exploring a character and being part of films which are going to be forever. Honestly, it’s something which is indescribable and an intrinsic part of me as well. One thing that I have continuously tried to do is to not have any set, rigid formula, and to respond instinctively to what I do.

So, despite all the success and fame, at the core, do you still remain instinctive?
See, vis-à-vis work, the simple idea is to try and not have any concrete plan as such. I think your choices have to be instinctive and ought to come from the heart. Especially, in the last few years, the joy that I have found in playing characters in films such as Zero (2018) or Bharat (2019) has given me an incredible sense of fulfilment. And I really enjoy that process of building a character.

Over the years, you have constantly — and successfully — redefined yourself with the changing times. What’s your mantra behind that?
For starters, I think it’s very important to not take yourself too seriously and to just enjoy every moment. You should relish the process of being on a film set, enjoy the work that you do as well as every moment, and just let the outcome follow. When I’ve to say yes [to a film] or when I am in the middle of it, the way I judge things is: ‘how has the process been for me?’, ‘have I felt connected on the set with the character, my director and co-stars?’, and ‘has the process been one where I felt we have all — creatively — put in our complete best.?’

Recently, Ormax Media announced you as the ‘most popular female star of the decade’, ahead of names such as Deepika Padukone, Priyanka Chopra Jonas and Alia Bhatt. How does it feel?
It’s amazing. I feel extremely grateful and blessed to have had the audiences’ support as well as their love over all these years. They’ve backed me throughout my career, besides helping me grow as an actor. All of it brings a smile to my face as I know that the audience is with me, and is supporting me wholeheartedly. My journey, so far, has felt really incredible because of the sheer affection from the audience, as well as the industry and the media. I feel as if we have all — including the directors, producers and co-actors that I have worked with — been on this journey together.

As we step into the new decade, how do you look at the times ahead?
In terms of 2020, I am extremely excited about a few very interesting projects that I am currently in discussions for. I am making sure that I do things, or put myself in spaces where I feel challenged, inspired as well as excited. The idea is to maintain a mix and balance of different kinds of stories as well as genres that excite me. Through that, hopefully, I am able to continue presenting myself in a new way to the audiences and show different aspects of me [as an actor], and, most importantly, put myself in spaces where I can learn and grow as an artiste.

I have a boisterous side, which in all of my so called elegance, people missed seeing-Deepika Padukone

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Roshni Olivera (BOMBAY TIMES; January 8, 2020)

It’s been an eventful decade for Deepika Padukone. She has had a number of successful films to her credit, made her foray into Hollywood opposite Vin Diesel in xXx: Return of Xander Cage (2017) and turned producer. On the personal front, too, she is in a happy space and seems a lot more comfortable revealing her quirky side to the world. The new year has begun on a busy note for the actress with her film, Chhapaak, directed by Meghna Gulzar, set to release in a couple of days. In a chat with BT, she talks about playing Malti, her most emotionally challenging role till date, how she has evolved as a person over the years and why she wants to do a contemporary, light-hearted film with husband Ranveer Singh. Excerpts...

You have experienced a range of emotions from the time you started shooting for Chhapaak, to the promotions recently, when you broke down on stage. How would you describe this emotional roller-coaster ride?
This has been my most challenging film, emotionally. There was a lot of preparation before we began shooting — look tests, working on the prosthetics, costumes and readings with co-actors and Meghna. I also spent time with Laxmi (Agarwal, the acid attack survivor, who is the inspiration behind her character). But, for a film of this nature, you can never be fully prepared. How do I prepare myself for that moment when acid is thrown on my face? I can imagine that it happened in a certain way, but I can only live it between ‘action’ and ‘cut’. I have had many of those moments of highs and lows, which took a toll on my mental health as well.

How did you cope with that?
I remember on the second day of shoot, I had a panic attack. We were doing the prosthetics when I had the attack because I’m claustrophobic. I broke into a sweat and could feel the blood rushing through my feet, and I remember saying to myself, ‘I can’t do this’. Throughout the film, I was breathing through one nostril because of the prosthetics. I couldn’t eat properly because I couldn’t open my mouth completely. And then, there was the emotional journey. Having said that, I was willing to go through it all because this was a story we had to tell. That was more important than what I had to live with for a few hours every day. Whenever I felt low or vulnerable, I would think about Laxmi and the other survivors, who have been through so much, and that would help me pull through the day.

Meghna has said that you were her only choice for this role...
When a director says that he/she would not have made a film without a particular actor, there is no bigger compliment for that actor. Often in Indian cinema, we make films with roles that are replaceable. Isko nahin toh usko lo, usko nahin to kisi aur ko lo. I’m glad that today, we are getting to a point where films are written in a certain way, where characters are so special that either you make it with a cast that you have in mind or you don’t make it at all. When Meghna narrated this script to to me, I was instantly drawn to the subject. What I was also drawn to was her honesty. I could see her sincerity, sensitivity and a great sense of responsibility. I had seen all of these things in her movie, Talvar (2015). It was incredible the way that movie was made — it was such a fragile topic and it was made at a time when the people on whom the film was based were still in custody. Films like these engage you, make a point, and at the same time, are entertaining. It’s difficult to find a director who can strike that balance.

What is your biggest takeaway from your interaction with Laxmi?
I admire her spirit. Also, her ability to articulate her thoughts and feelings. She is honest, candid, confident and has a great sense of humour. She has beautiful hair, too.

Often, the punishment given in an acid attack case is far less compared to the gravity of the crime. Procuring acid is also easy in our country. Do you hope that your film will initiate a major debate that will address these issues?
I hope the film resonates with people at multiple levels, whether it’s pertaining to the legal system, the sale of acid or how we look at women who’ve suffered an acid attack. We tend to treat the survivors as disabled; they don’t have any disability and it’s important for us as a society to recognise that.

Now that you have turned producer with this film, do you look at things differently? As an actor, you must have had a different perspective...
Actually, I have had a couple of people tell me in the past that I would make a good producer. Dinesh Vijan (filmmaker) was the first person to tell me that. He would say, ‘Deepu, one day we will become partners and I’ll make a cabin for you in my office’. At that point, I didn’t think I would produce a film someday. But now when I look back, I remember how during Yeh Jawaani Hai Deewani (2013), I would ask Karan Johar (producer) why he was giving Ayan Mukerji (director) so much liberty with the budget and why he was allowing him to do recce at different places. I think somewhere, I was always interested in what goes on behind the scenes as much as what happens in front of the camera.

Would you agree that when actresses start doing author-backed roles, they end up getting slotted, and are not offered other kind of roles?
Yes, it’s totally possible, so it all depends on the choices one makes. Like the next film I’m doing is a romantic thriller, which is very different from what I have done so far. I have been offered many sports biopics, too, but I haven’t decided on that, yet.

It has been a year since Ranveer and you tied the knot. What are the changes that you see in Ranveer and in yourself? In fact, he recently said that he has become a good boy now, he wakes up early and gets back home on time...
He’s not there yet, but he does try! We have both rubbed off on each other in different ways. I’d like to believe that I have brought in a little more professionalism and discipline into his life. I think he would like to believe that he has brought out the quirky side of me, though I think I have always been like that, it’s just that people saw it in spurts. There is an extremely goofy and funny side to me, which only close friends got to see earlier. Now, when I sometimes show that side of my personality to others, people feel that he has rubbed off on me, which is also a great thing. Ranveer and I support and encourage each other... especially his dressing sense! In a way, there are not many changes from the time we were dating, except that now, we come home to each other. Professionally, we make our own decisions and personally, we decide everything together. For us, it’s been important from the beginning that we retain our own identities. People around us often forget that we are married, which I think is a good thing. Ranveer and I are together and at the same time, we are our own people.

You probably always had that quirky side to you, but the general perception is that you have opened up more post marriage...
Maybe I’m showing it a lot more now. If you ever speak to my school friends, they will tell you that I was a brat. My mother will tell you how, as a child, I was never at ground level; I was always jumping or climbing somewhere. There is a boisterous side to me, which, in all of my so-called elegance, people missed seeing.

Like some of your contemporaries who got married, do you also face questions about when you plan to start a family?
No! I have not been asked this question ever, which is refreshing.

What about doing more movies with Ranveer? There was buzz that you’ve turned down three films together..
There is no truth to that at all.

The reports said that the two of you didn’t want to get over-exposed as a couple...
We don’t think like that at all. We would rather think whether a film warrants the two of us to come together. Again, that’s not a decision for us to make, it’s for the director to decide. We have not been offered anything like that together, though it was refreshing to work with him in ‘83 after having worked in three films, where we die in the end! I hope we get to do more films, maybe something more contemporary and lighter. It’ll be nice for someone to explore our on-screen combination in a different way from what everyone has seen so far.

We’ve just entered a new decade. How do you look back at the decade that’s gone by, a period which was fabulous for you professionally?
I feel gratitude. Nothing fell into my lap, I have worked hard to reach where I am, and to be a part of the kind of films that I get to do today. I want to constantly learn, grow and evolve. I also used the criticism that came my way, constructively. And, I am thankful for the goodwill and support that I got.

Do you feel that you have grown as a person, too?
Yes. I don’t think I was the same person even seven years ago. Every film, every experience, every success, failure, criticism and praise has led me to where I am today. It allows me to grow further, think, express and take risks.

On the personal front, we recently saw a beautiful picture that you posted of Ranveer and you with your Christmas tree. Did you decorate it yourself?
Absolutely. I love doing up my house and if there’s one thing that Ranveer loves about me, it is that I am house-proud. He is always trying to wrap his head around how I manage to multitask at work and I’m still able to put up a Christmas tree, set up the table and put up the wreath. I have always been like this. My mother says that she doesn’t entertain guests anymore because I am not around to help her.

Images: Deepika Padukone heads to JNU to stand in solidarity with the students

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Deepika Padukone (second from left) with Aishe Ghosh (right). Pic/Twitter
MID-DAY (January 8, 2020)

Deepika PadukoneIf many B-Town stars lent their support to the Mumbai protests on Monday, several miles away in Delhi, another Bollywood heavyweight — Deepika Padukone — made it known that she stood in solidarity with the students of Jawaharlal Nehru University (JNU). The actor visited the university on Tuesday, two days after a masked mob attacked students and teachers on the campus, provoking nationwide outrage.

The actor dropped in around 6.45 pm and attended the public meeting that was held by a group of students, including Aishe Ghosh, president of the students' union. Former student leader Kanhaiya Kumar was also present.

Padukone, who has been in the capital over the past two days for the promotion of her upcoming film Chhapaak, did not make a media statement but reportedly spoke to a few members of the students' union.

As soon as pictures of Padukone's visit to JNU went viral on Twitter, BJP's Tajinder Pal Singh Bagga called for a boycott of her films. "RT if you will boycott movies of Deepika Padukone for her support to #TukdeTukdeGang and Afzal Gang," wrote Bagga.

Dabangg 3 collects 134.67 cr in 18 days

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Image result for dabangg 3 ndtv"
Box Office India Trade Network

DABANGG 3 collected around 40 lakhs nett on its second Monday which has taken its 11 day number to 134.75 crore nett. The third week is looking at a very low total of just 4 crore nett and another 1 crore nett odd can be expected after the third week.

This will mean a 137 crore nett finish for the film in Hindi and another 4.50 crore nett in South for a all formats finish of 141.50 crore nett. The collections of the film will stay less than DABANGG and DABANGG 2 and the footfalls are way less. DABANGG had footfalls of 2.50 crore while DABANGG 2 was 2.05 crore. DABANGG 3 will not even be 1 crore.

The business of Dabangg 3 till date is as follows.
Week One - 1,12,53,00,000 
Week Two - 19,24,00,000 
Friday - 50,00,000 apprx
Saturday - 75,00,000 apprx
Sunday - 1,25,00,000 apprx
Monday - 40,00,000 apprx
Third Week - 2,90,00,000 apprx (4 Days)
TOTAL - 1,34,67,00,000 apprx

Good Newwz collects 163.44 cr in 11 days

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Good Newwz Movie Review: Akshay Kumar And Kareena Kapoor's Film Is Anything But Good News
Box Office India Trade Network

GOOD NEWWZ continued to maintain well on its second Monday with collections in the 4.75-5 crore nett range. The holiday period is completely at an end with offices and schools back to normal and keeping that in mind, a near 5 crore nett number is good.

The film should do a 50 crore nett plus second week and both MISSION MANGAL and HOUSEFULL 4 did fall a little short of this mark. This will make it the highest second week for Akshay Kumar this year and highest of career. The total collections after 11 days are 163.50 crore nett and the film is looking at a finish at around the 200 crore nett mark. This would be a huge number for this film as its mainly the big cities contributing. The numbers in mass markets like CP, CI and Gujarat/Saurashtra are even less than MISSION MANGAL. Chandigarh, Gurgaon and Noida are the highlights as these three centres have collected like a 300 crore nett plus film and will be ahead of the likes of WAR and KABIR SINGH.

The collections of GOOD NEWWZ till date are as follows.
Week One - 1,24,94,00,000 apprx
Friday - 8,00,00,000 apprx
Saturday - 11,50,00,000 apprx
Sunday - 14,00,00,000 apprx
Monday - 5,00,00,000 apprx
Second Week - 38,50,00,000 apprx (4 days)
TOTAL - 1,63,44,00,000 apprx

I thought I would die without playing Gandhi-Arif Zakaria

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Arif Zakaria is thrilled to be playing the role of the Mahatma in a new play, says he thought he would ‘die without playing Gandhi’
Kavita Awaasthi (HINDUSTAN TIMES; January 9, 2020)

Ever since Arif Zakaria became an actor, he had a wish to play Mahatma Gandhi and he is over the moon that his wish has been fulfilled in the new play by director Saif Hyder Hasan. “The play is called Dearest Bapu, Love Kasturba and it explores the relationship between Gandhiji and his wife, Kasturba Gandhi. It is based on facts but woven into fiction by Saif. In the play, Gandhi and Kasturba write letters to each other after passing away and talk about their relationship of 60 years. It gives us a peek into the ordinariness of their lives as opposed to the great pedestal that we have put them on,” he shares.

The Great Indian Theatre Festival in March will open with this play, which also celebrates the 150th year of Gandhi’s birth. “But not many people know that it is also 150th year of Kasturba’s birth,” adds the actor, who is excited to work with veteran actor Zeenat Aman, who will essay the role of Kasturba.

The idea of playing Gandhi appealed to Arif, who instantly decided to be a part of the play. “I started with theatre very early in college and later veered towards the visual medium. It is good to come back to theatre. I knew I wanted to play Bapu at some point in my life and there were opportunities on TV and in films which never came to fruition. I thought I would die without playing Gandhi,” he quips, adding initially the play was conceived as memoirs of Kasturba. But when Saif thought of Arif and asked him to attend a reading, it worked in Arif’s favour. “Initially, I didn’t take Saif seriously as I thought maybe he is toying with an idea but things fell into place. The role of Gandhi was quite attractive,” he says.

Other than getting his mannerisms right for the role, Arif also had to keep the larger-than-life persona of Gandhi in mind. “He is a father-figure, so making his voice effective and real while reading letters was a challenge. As it is a play, we will have to deliver each time,” opines Arif, who has been performing shows of the play, Gardish Mein Taare.

The first word I taught my daughter was ‘bas’. She should know when to say ‘enough’-Neha Dhupia

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Divya Kaushik (BOMBAY TIMES; January 9, 2020)

Soon after winding up her day-long schedule in Delhi recently, Neha Dhupia was set to fly to Chandigarh for another event. She was literally counting hours to be with her daughter, Mehr Dhupia Bedi. “I started shooting when my daughter was just 45 days old. And now that she is growing up, I look forward to spending as much time with her as possible, even if it is the time when she is sleeping,” Neha tells us.

“Mehr hasn’t seen me or Angad (Bedi) on screen as she hasn’t had any screen time yet. But we have magazines lying around the house. And since she can crawl now, she saw me on one of the magazine covers and recognised me. When Angad’s pictures are in papers, she can recognise him, too,” Neha says.

The doting mama says that her daughter has learnt some words and she can’t wait for baby Mehr to talk to her. “The first word I taught her was ‘bas’. She should know when to say enough. If the food being fed is too much she says ‘bas’, if she is being forced to do anything or if somebody is pulling her cheeks more than she would like, she knows that she has to say ‘bas’. She knows how to say no. Strong women raise strong daughters and I always tell my daughter that if she is not comfortable, she should just say it. The other day she was playing and somebody tickled her and she said ‘bas, bas’. So, she knows when she has to say no, and she would apply it for the rest of her life now. As a mother, I want to raise my daughter believing that she has a voice and she should know how to exercise the power of that voice,” shares the actress.

She also proudly reveals that her daughter has started showing interest in cricket. “She spins the ball very well. It’s cool to see her do that. We are a family connected to cricket, everyone knows that my father-in-law (Bishan Singh Bedi) and Angad used to play cricket. I grew up watching a lot of sports. So, as parents we couldn’t be happier to see that she is interested in sports already,” says Neha.

Check out Aditya Roy Kapur's extreme makeover in two months for Malang

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The actor trained in martial arts, flexibility and endurance and went off sugar, salt to go from lean in the first half to bulked-up in the later parts of his romantic-thriller
Hiren Kotwani (MUMBAI MIRROR; January 9, 2020)

https://epaper.timesgroup.com/Olive/ODN/MumbaiMirror/get/MMIR-2020-01-09/image.ashx?kind=block&href=MMIR%2F2020%2F01%2F09&id=Pc0270500&ext=.jpg&ts=20200109002614For his turn as the protagonist in Mohit Suri’s Malang, Aditya Roy Kapur had to undergo an extreme makeover—while his character is lean in the first half of the film, the second half sees him in a bulked-up avatar.

Mohit, who is reuniting with his Aashiqui 2 hero after seven years with this Bhushan Kumar, Luv Ranjan and Jay Shewakaramani production, which also features Disha Patani, Anil Kapoor and Kunal Kemmu, says, “Aditya’s two looks can be defined as hippy—which is actually him off-camera—and the muscular hero. It’s easy if you have six months to go from one look to the next, but he has done it in two months, living without sugar and salt when we were shooting portions in which he had to look ripped. Then, he started eating all the time to be bigger; it’s a difficult job.”

As part of his prep, Aditya entrusted his fitness trainer, Sudarshan Amkar, to help him achieve the physicality of his character when he transforms into a compulsive killer. For the combat scenes, the actor took up training in martial arts, flexibility and endurance. “We would spend two-three hours in the gym every day. In the evenings, I suggested he do cardio for half-an-hour,” says Sudarshan, who also convinced Aditya to buy a treadmill, so he could get the cardio in at home.

The daily sessions would begin with stretches, followed by mobility and strength training. “We’d start the warmups with yoga, and to increase mobility we used Kalaripayattu and various forms of martial arts. Aditya would run for 20 minutes after every training session to improve stamina,” explains Sudarshan, adding that he ensured Aditya followed a strict nutrition plan.

— with inputs from Himesh Mankad 

Tanhaji's director told me dialogues theatre mein goonjne chahiye-Sharad Kelkar

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Onkar Kulkarni (BOMBAY TIMES; January 9, 2020)

Sharad Kelkar has been a part of numerous television shows and now, has many films to his credit, but that still didn’t prepare him for the time he was approached for the role of Chhatrapati Shivaji Maharaj in the film Tanhaji: The Unsung Warrior. “I thought they were looking for a bigger star for the role,” says the actor, adding, “I was shocked that they were considering me for the part. Of course, eventually, I was happy to see the resemblance during the look test.” In fact, his avatar as the Maratha warrior king seems to have confused his five-year-old daughter Kesha, who on spotting the historical figure’s statue at the Gateway of India, asked him, “Dad, is that you?”

Tanhaji: The Unsung Warrior is Sharad’s first brush with a period film. “Since it’s my first historical film, I was very careful about the way I portrayed the character. Om Raut (director) made me rehearse each scene several times. He wanted me to portray the character so strongly that he said, ‘Dialogues theatre mein goonjne chahiye’. He boosted my confidence so much that I did not have a single retake. Everybody has read about Shivaji Maharaj’s bravery and his strategies, but this film reveals new aspects of his personality — like the bond he shared with his mother Rajmata Jijabai as well as Tanhaji.”

Speaking about his off-screen bond with costar Ajay Devgn, who plays the titular role, he says, “I have worked with Ajay in Baadshaho, and he would leave us in splits. This time, however, it being a period film, we were serious on the set.”

Currently busy shooting for his South film, Sharad is excited about making his debut in Tamil cinema with Ravikumar’s sci-fi starring Sivakarthikeyan. The actor, who’s known for his deep voice, is also looking forward to dub Hindi versions of international movies. “I enjoyed working on xXx: Return of Xander Cage. I hope the franchise reaches out to me again,” he signs off.

I get two film offers on a daily basis-Pankaj Tripathi

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Pankaj Tripathi, who has seven releases this year, including his first lead role, is looking forward to a 40-day break from work in June
Avinash Lohana (MUMBAI MIRROR; January 9, 2020)

Pankaj Tripathi, who made his Bollywood debut in 2004 with the Abhishek Bachchan-starrer Run, is gearing up for his biggest year at the movies yet. In 2020, the actor will be seen in as many as seven films. One of them is the Satish Kaushik-directed Kaagaz, backed by Salman Khan, in which he plays his first lead role.

Then, there is Kabir Khan’s Ranveer Singh-fronted ’83, Anurag Basu’s Ludo, Sharan Sharma’s Gunjan Saxena: The Kargil Girl, Anubhav Sinha’s Abhi Toh Party Shuru Hui Hai, Laxman Utekar’s Mimi, Homi Adajania’s Angrezi Medium (cameo) and Indrajit Lankesh’s Shakeela. “The last two years have been really busy. I have been working continuously and feel tired now. I am in a burnout-type situation. My theatre experience is helping me pull it off,” says Pankaj, adding, “I get two film offers on a daily basis, but I have decided to take it slow for now.”

In June, Pankaj embarks on a 40-day break. “All I plan to do in that duration is spend time with family, travel and plan future projects. I love to travel so I will go for a holiday somewhere. I haven’t been able to spend much time with my daughter in the last few years. Every time I return from a shoot, I see that she has grown two inches taller. Yesterday, I had an off from work, so I cooked for her. It was good fun,” the actor smiles.

He goes on to reveal that Salman, with whom he shared screen space in Dabangg 2, will see Kaagaz in a few days. “I was so involved in this film, that I spent entire 40 days of the schedule on location in Sitapur and knew things pertaining to even costume continuity. I would wake up at 5 am and shoot till late evening,” he reminisces.

Darbar bags 500 more screens for a day to make most of one-day advantage before Chhapaak, Tanhaji's release

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A still from Darbar
Upala KBR (MID-DAY; January 9, 2020)

A still from Tanhaji. (Right) A still from ChhapaakIn its bid to become a Pongal release, Rajinikanth's Darbar is clashing with two Bollywood big-ticket releases — Chhapaak and Tanhaji: The Unsung Warrior — at the marquee. Knowing that the Hindi projects are likely to dominate the screens in North and central India on their release tomorrow, the makers of the multi-lingual are making the most of the one-day advantage over its competitors. Distributor Reliance Entertainment, which has acquired 4,000 screens across the country, has procured 500 more screens only for today.

Trade analyst Taran Adarsh says it is a wise move as the actioner will get a jumpstart. "Theatre owners will [happily] accommodate the film for one day. After all, the film boasts the jodi of Rajinikanth and A R Murugadoss [director]. Most importantly, besides Good Newwz, no film has brought in footfalls. So, this will also work [to the advantage of] exhibitors."

Film business expert Girish Johar says that the movie marks one of the biggest releases for a Rajinikanth-starrer. "Rajini sir has a massive following among the single-screen audience in the Hindi belt. That said, if all three films had opened on Friday, Tanhaji would be leading, followed by Chhapaak. The makers of Darbar pre-empted that and the one-day window will help them garner positive word-of-mouth."

Trade analyst Atul Mohan adds that Darbar, owing to its masala movie treatment, will find takers. "With Rajini sir [mouthing] catchy dialogues and a Bollywood star in Suniel Shetty, Darbar is a commercial entertainer. The distributors are confident [of the offering], that is why they have increased the screen count for a day."

Rana Daggubati opts out of Bhuj: The Pride of India due to health concern?

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Rana Daggubati
Sonil Dedhia (MID-DAY; January 9, 2020)

Two months ago, Parineeti Chopra exited the Ajay Devgn-led Bhuj: The Pride of India. Now, it has been learnt that Rana Daggubati, who was to play a lieutenant colonel of Madras regiment in the ensemble drama, has bowed out of the project. A source reveals that Daggubati's health concern has prompted the decision.

"The film requires Rana to perform heavy-duty action sequences. The makers and the actor tried to look at possible options to retain him, including hiring body doubles, but things did not work out and they parted ways amicably." However, another source attributes his exit to date problem.

"Rana's schedule was supposed to start around October. However, the entire shooting schedule was delayed, and now, his stint is slated for next month. Since the actor is currently busy with Hiranyakashyap, he decided to opt out of the project. The makers have started looking for a replacement."
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